DEPARTMENT OF MUSIC ZASTERN) MICHIGAN UNIVERSITS moun ROSAMUNDE OVERTURE ~ FRANZ SCHUBERT . : ; / o4 Andante. aA n V ij ~ 7 4 5 3 Vn See 5 ee e cae e ° Ser IZ (P fF fe fe FR ———o 2 (See = cao as ps, bene Oi — =— —= => =U P Oey YY See A >A am eet see a : eh P f= fp — = ep Pap FP on be h—1 3 £ in 1 Ve my t A Vv j {\ Vv L & — a 2 $ : ==: a =: = = i= a P tft IF Sp ip hae: P ul , _PP 4 ae Allegrojyivace/ \\ 4 f Sa Sa ee ee re WN ae pp)? Fp Wo Ny —— — Po eg ae ee Soa or ese eae ve v * a T T te —V Vy \ eS ee Chess Seis = f=++—4 aera aa f * ree “Parner _\V a: n EH SS eet +f I tage ets Ge Sapa fe v a) ° 7 pf oie tt et tee te Some ee eaters =o Gren. «, cA & ff f f nov potatoe tata ttt tee ee ttt tt ee Orch. B. 2 At. tp ye oe oe So So a ae or oe e ote? — — $+ —F simile vw bh D PP f+ fs : tor tay 1.x 7 k I a an oo + w LJ PPP w ie Py mate St r et o sttets 0! 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B. 241 ~ rf . iT AT — H Te . at rT 7 i a me PeERG i - mM S 7) su g ‘Bh “Ik Hh ue fe + ats Wi i SEH At vs i i ya ' le Ce mY 11 & Ii Ht Fi Fa 3) m C tH el iy r 7 fn ih _ aa FI 4 {| wey On | ads mc ry] o Sire tt fed F iss ) a [| ( + rat ti ¢ tw) ANT i + a, > il dit sit a Eg f | i ( ie ilies i -a ll r| | E te eh Selo Selo 3 oT VIOLIN | t I = Ss 7 tt a ffie-o-f ——t = a 4 #0028 a) Ji 1 aes — i \ “| oT H ™ " S ash He ell vel iL | no - nl Sw R 4 . ce Busy Ail (SH tt Th) SS Aa (RE MH SP hee Hh one Ths, rg Min 4d eh Sin : bed 0 Sil ay GL MS ell = Bi a ASS Bile SS ‘ ~ Hse > SSS * atl ey ste | et) ASS [eid ot Avil eu an | OTT a \ H -lel eh RS ( ve | tu SSE * t i zl . ei fe . - hy oA OLB Lse a ta ots lel MLS sy ore i” el rl | --euL Ty! HSS gS il “1 SG Re 08 Re Sree ae el - Sq mm a So | cule ~ .Y . o x Ss ut RS [| We Neh z + aKa th Ty erty iP 7 * + ata bh = aso Boer eo te the Stace. A simile — sa Ft —s-6-3 FFF Ts FTE FTES TF {++ — a os _ — a ae oo — a a FFF F a ——o FIFE FHSS Ny + Ftee _S — PHT TG 1 Z ca fet ee divisi 4 a tie T t Sp O OSs ge ¢atves vives F Orch, B. Uf. VIOLIN I Saul 4H) all vel Gi es . _ ( Hy SL AG Ly] Fal sie Sia) Hy) tp ah SUE mote a) etal s- AR si eat all cal lige OHH Wy ws na HS LL hy, SLANT? eLu -$liai SS ay Ean Siss “et ( WAT, Hew hl}. ae WA tt | 3 oli fre! eal f 1 : (, yo ee i) My iets wld oP wie] wide ra, i ca) tM] ould ( sus) SAGE i aay ost ( nN ft tt il A. SS SEL Gd) EY) sul, ARR hus eH st eu ( N a Se) gull it > ( Li Th) 4 ae OH LL pL. 2 ne 4 rv | ( F (, eu ee Sd fu at stile MRE (TP vi) ga) as oa Li ti iy) AH OTe gs 4 ot ay H : A me Nid ah He bas : U] ( Hl > 14 F “i wt ou SS PE ft x it S T (, jy ott + Ll . ttels ne aun ( rl i NI : ' U PL ualilA tH L rH] Hl. te [| eae aut wll . ' = A i : “ ‘i . puna 2 , oH SEE AGH ft aL] HH Lise <4 : hg . Hw Fe im Oa Hi em dl Pin | Nl i enthes fey N Ae ES | gt ee ee! ai | th ‘i AY x SL, wT Ho NE SNe Nee Aes He ts eee on Si fs is fs o—4 dl wh ——s baates® © i Wi oth Us OH aa 3 Ave verum corpus. DEPARTMENT OF MUSIC EASTERN MIGHIGAN UNIVERSITY VIOLINO I. Adagio. W. A. Mozart. Werk 618. oe n sotto voce Vv Jon 68 til pelted. ° Se ~~ cae — EDWIN F. KALMUS PUBLISHER OF MUSIC NEW YORK, N.Y. { VIDLIA, 1 | i WARD CHURCH ORCHESTRA Livonia, Mi Pre THE BEAUTY of “THE EAwTH Tot Kotter Happily (d= 66 eg , Div. = = =_ a. ‘os e- . Try & 2 f= = E as 3 ro b= a q ? z a = - é eS = z z = é oy & = = Se 2 = 2 a ——o— 4 io = er. [>] = = é Z = Z = = ey ¥ 7 r £ =. . at = 4 WAS, yo t <= ee — ——_ WY \ 9 eS : z g Dv: f = . £ bp = E~s +: = Tt i= ma p—S Ee Ez € = v > ~ = —=_ me fos = -e zS z [Al sew = = = f= a 4 TREN po = e eS oS e = pb = = =< ae = — P + —“pP fe 3° = eo -—> RQ 4 ~~ r¥ 4 — SS = pty tth A 4 4 a = ¥ == “44 +3 — ora it wf ; | \ —™ 2 2 the ae & ee £ F eo a aa ttt Qa T el Sole Setting nents, T ie re 44% phe 4 [dco Vv Hot ——P Tz £ te ai KH NIGH = sf put ios ‘7 Ay an “9 at a | ~ V Fan, d ™~N ae it ra oo fone Ww iD Ee a) “nn ft + 7 Pa ~~ DV ay f , ‘ —~ ae 2: a dW = T { ma } ra x —o t + et a € ~~ WARD [o7 | <3 re! = — a 2) io al r—¥ , S| Livonia, Ml de — ff CHURCH ORCHESTRA n il i — { is f=] 4. tt E Z t t nn Siebente Symphonie. Violino I. Andante. F. Schubert. Corni 4 y . psa ey, ay dy ee Z pizz th tte be tt pt + * ies = Z = i =. amt ——— ed oe ea tet t—}—+ —an e L 2 3 4 5 6 7 Pp = Pig eF ae ant 7 etree iF ter tt of : i = i & Allegro, ma non troppo. gett ams ta ace | Seee cer eees a oF tS Jy ree fyere Sf EHH LIN EDWIN F, KALMUS, Publisher of Music, New York, N. Y. yr — RES a +t tt F Int t i t t eS ae a ee ae i ies ue tee t i decrest, + i ven yates r t tempo ais xn » f= z = simile s} —e Vy Violino I. T° TT a] 4 mm net | Tv 44 ; . . \ . Tay) 1 Ee : i | an > i a >» , a: | ( ig) ily nf 4 Te: tH . LL 4 | te gill bs te: tr ques au ue ie) al 1 ie al ) ci 4 “rt sh U Hh * +e nah \ Sap sl Sule VE ine : “ills > th H He. itt is i" ne rr ) iy: +) fs IC, d x Ly Poh : “4 Ie |/ VERS) ts He |/ Vie ) AS au, (3 yo! ue eee) = ———= Ss # = f . . “f == #5 ~ ba == f Z t ra i Rivne f P sp v L im vad Fee éfse Zee? Ce et irae ot be € & & af Violino I. erese. oO ve. very v a t t fo eresc. A= ot t beee ee eherppope 2 Zz ree ee ee = t t Ef tf be. [PPP — a — or eee a ee aoe Sa o_o : = t t i t i + t t t T t i i i Si t +t t T gettttt tperrere eee eee T ale — baby a Ly ) Hr rele UT oS ij ll tt i} es tt sit Mh tit 1 is ft, AID fee, pe iT P TTT TT rT bia tt} tt base sesss be S$ Vea ba z +p oe bs ae it | it) ‘ LL 11 | ane Le Lt LL HH ° - LL He | I He oh ae Lig = Li ] Ly a ir rye 1 rr re my it {iE LI LL Ly a an ny 1} TH LI : LH HH ++} rT | alll] tH TT ITT IT] +4 1] iy an el TT al {TT mi +H TH t il il ar iM nt 4H =i n i al i HH as it rt & ory he ry Violino I. oO 4) a4 RS SLL ENG aunt ss re va au i! hae PH ee a ' x wl] (HT gt By Ss mT A nal SH LU yy a ~ te 4 i | RL “slat we ev no\ quNT fH ‘ \ rT Mae ie LU] se thou at ™ we : tH id os a, S|) CNL Ho MT | hs feo wa) om A SAE Ge ei: th: el ~ m4 f ( di y ni ihe Baal ain Y q | i 7 . & Hy ‘ ITT}: Alvity & ia | H fe OS) SHS (A LB: OR fs an case 2 a a4 i = Ty UR oF wl dl) u i Agr aa a el 4 ‘ a id + “$H Ea = ft e * 4h \| 4 m4 ‘we 4. aii ad 7 F 1 {| oH myo tl te ff mp a! a /o ry q \ nd Wk Mt SN) guy ty [ ait in iS 4 AL rT 1 a TT S . 1 ey alt] | A - CS at 3 Lt) l i wu st a! les 7 al nay 4 WON aii P| = “hd Nay { a ql H ee i i MALS 1 a [| & > y q i < i ; S a ni = Awe al a nt eit mln Ay att a oR a ay Awe st a ' \ & - wi ei it ‘| if} i ~ at n Ay sa Wd i it alii, «= cris =: g \ a ig] oe a ‘ Lo to ul i i . 7 u a q HT aD val] 5 ql ny Ma l] au ' Be Ra ‘Nope ceo Nie ar) Nee to | SNe fo Violino I. oi) al au Cues a Cane o all * 1] May vil eit al et aH oth HH st sh + Sn eit eh sail 4H rs alll uf ail th | ran oat it ott Lit eu o> eu LL} el LL oH yall) elu LI Aull all sail eh 5 wl ie ot \ oH 4 ~ IS e ee ef et t t + eeeeet £ ett 4 SaSaae tf £ 3 t 2 goer e er ettt e ftpret, - Sf + t Pe ee ae aa f f t —e ——— —o etee 4 eet i ett 4 te = BGs “od Poa t gore b —s now + i t—t — SE 2 £ eeeere Le — 2 auth willl] | al i } mr att a | wef gl will) a all aH 4b 4 eH ol 4il Sn Ha oll] all ony eH oH a baal aul 4 all 4 ot eau ay ait ay “4 a pi eu at ey lL ay a eu al zal fe Hore t Fg FS t g =—=o ee ee! ttee Stee a CTESC. = ae = Tt Fete ## ge ppepeeee. a a wi) 4 wil) od et ait 4 \ i all 1] eS t Prva il pall +4 ah aH cane ait t win) tH eiithy 1 | awl a I at H all 4 eld all al i) 1 all 44 4 ~ al ™ 4 aun Pe 4 444 elt hy ru ove Ny et all al al | B. tf Violino I. r at ! a wi 3 jusenl al i S ~» 1 IT] Ma; iy = I ) he ith. i tt i SP es [HESS a N Cth ni il . hd rl TTT, + y | a4 ALD iat Arh \ i th : HIS at ils jt = im STAUS cal 7 ° . Mi | ay @LL g MR ral \ “4 nil E. l + ae MJ ie g Us thy sll} | “SHH it “TAS ot t V cat =a il a eo aq i Va sf = s 4 (a [] [ Ca | i” A he. mh i 14 th “sil >-all] . L| 4 . " “44th 8 ia “i i A tt : ; . im ALL ‘o att 0 Pray Wer a ! i 1} Aid ' Ct , 4 ft.) , Om a Z = tie ef ee —_ bee te in} Ott t ——e pete an b et V be a poet ctr o gl 4 = = ef fe = Violino I. 2) os = et Crest. — —o She" & Js t On —rarn- Dies — ae P === ~ Pa == ees — foe —~ A a= rect fi-¢- A fip-tor Et g) —~ ities a fn i é a ~ 5 et pete —e ; +4 = a be = f# ~ th | — 4 4 za Violino L. K% Se ote Ss m i: & Lt He ily van he me SH fhe 4 1 it al H4 a i al a LE oa ++ i So i ' au ‘ ® rT te Y v7 ' st 5 np i te Lf Lt mii i s Nines rs tty Te | i eh | F ' | 4 all S | re | | ii He ] 6 S NS tt te] | te | ih, mh) arte eae © ‘ane aad s NBR te te | Le |! in y | h ih te i gS + | + iy a ie Ly +4 ae fe aly} te HH a re gos g \ TELS Nee ar) Ere Violino I. 16 T TT 7 \ rT | wh ' H it a alin x is x i ay Fe a | ia A | i. 4 nit) Hay Ty SH = 1 uae Mi uy IT » Alli oy pa sent hs na 1 He RS 1) a . 4 Vas ain 4 | ch - He te 3 ih Oo . a 1 | He Ly ail © +. A LH | pale 4 la lJ By Lids He i ry st, ud .y te \J f ellis ‘ Py = tHe it | ‘| g rH e hy he a ry aH AT I i | Te any Ln I t ri aa yy > lt i] in) | l! Li acl U * nal : : 7) 7 ia WT rh 4 os 4 1 H an t+ SH I tL H hg ie * * lg WH Ly rh i fe Ho aig : aril + x rs 2 ha all tH a | 1" y fd (rh. 5 lH i Lt} I y owe i I ithe 7 > : acl = litt ia LA { tN G TTS Ne B. s Ete Violino I. k 5 : a! L elf 2 ae bi df All Seay] All moh Si Ha g Ht ge 3 oH 1 wy So Ar ami a KI i hi Sa) el Ae ou tP 1 wf t . Hell a = “Thee Chay) “eS Ts ‘i ane 4 stir asthe & He. SHALE a ¥ ny 1 Stay Sow , eA ah eT oH Lf fre. 4 + — i ll uw .) SHES + | wlll “ s hal as wt! b- wl $1 SH! 2 “HORA esa HD Aa) Do i a i 4 f ha nig i ih 7 \ th | | | : Li i eae . CONE i + \ 1 | el a . " i | & 4 4! aii 4H . rs 44 “e ow "% NW ae | aN y fo ey Te A Ste t & uy hit ~ HL + + | 4: \ “Vy & W x Nw z Nh Neb KOs NE Nh Aes \Ebs ry te eresc. 1s Violino I. i i : te at as i ie’ a saan.) FT ab) Pi | ill Hl tHe HH in Lh i) ied ue im f NT peed all i" wd hi r| He Ty 1} im ey i Ue) AAT. rh ily il || AR: ta Ai RD 4 si iH iA ‘i F nd F nM nd " i zi a hd ye tl re [: i aie oy a SI 4 3| i il ri fu U1 eH La] by aul] U Te) Te hen ry le. Ls) MH | i! : i a te “IP CUTS iN a SH ie ne As rit He tte = nt ann in.) arid “I “He ihe) as | M/S My + Wits Ay hips iq Yq x i a NG SNe + y TT) ‘ x .ID. i WE old ( sult | ait] (; Me) Ht 3 Q MeL hh ‘St ad L cn al g alll] [ ENI > HH : it ieiay Salle nh rc f ASHI \ c ita cn SS 2 a | a > a htt UY 3g aS Te sdk * >A ace >it All UI iS “4 id hh A = oly Ida iy HH ages ai >all = a ral “AN Ary MS NF * eat TE esi | “| ¢ lle sl il mi rit : MS s! =F] ei) 5 i ( “ aa nt I 3 i on wg _ rn Sg PN ( ang ot (| 3 S alll wll 4 AMAL He ’ Ag ‘ wry 1 14 it \ nd $1 i cell! +. ih pill we “tt xg ae Nt Att ) a id sch. > 1 ¢| be malt iS 4 =e s ' ll ee lid c I i: oH H Agta FT ho g st H =a > TTR: 4 + ty af a « . Pa hd he f 1 Poy CmENG 1H sn | . bali “SH th a + ® ‘ i ar » & oN] J Milt SHH oe ai rm) etl AI i WW * abled ct ath i a ATT bai a, r a ANE 1 1 “t pa s (a iH +14 t a ayy Sa cel ear (si Mi ST (tH i i Lt c i ll mT 4 call ( NJ ae Aw ssa JR Tal ull] Nfs “NE Ne Nee ME Ne Ne ee — bee + £ be # ae ti vr 2 ao * ie. jo 44 V ee - > 2 et Fae f+ t fs i 7 sliiya Crese, = T —e ait v ae t ee) 2 9 f+ fife: e+ pee t See 2 » tt tof, is f —— —— zs _ — T- pe bete et tbe py " a eet es Pa “trie te - ~ — ——a Vv S2SSs== ‘ ‘tal t erese. tf peter er = ns A Vv oo a oo 4 as ——I me ar oe a Je ans he: # ve’ y fans See borg tote Of ee = f t t 5 t Violino 1 oe Plies — fea CPESC f=% r 4 = ttt ra 6 + = = f : } — 44 = actete, : + tte = eu v 7 = “poe m4 S| Ne ——a cCrese, decresc. ra Byte ES + he Pyt—t - Violino I. Violino I. 1 ; al] om ea i 4 tl 1 1 yt a AN ~Si) HU al t ie “oh eu au Ce J = aa hes la nae a 1 ls OS 7 rn 4 it A ye a? pin [ss pits hy = z ii Kt x) | iL. tH ) fh ty oH TP She) | a LY t th iS 1 “¢L S " 4 | a “ML et TE . is HY TNS Ag A) ABET al * Hy. cies Pyare 9 ach. fe » bs pf s oh s 1 | AA vy A wil AE BHM) : of \ 4 Sy ty # [] He a w au ali i es 44 H L el 1. 4 4 lay x 1] y tT] Hy «1 f wt sth. hal ' 23] 84 ls K ey ws wl g =A & 4 ' Shy ry 4 4 FS van RS call eit } é 4 a: 4 cw . [| st tl = be 2h a HHS e F sft! ‘a LL 1 aut h . LA oe F - : MTT i: ry ’) LA * +4 in ul au ie Aes: ow g a. ol i a] A ct ty SL ai call] of tel. 4 Th Ope .| . 4 ts > Joo 4 - Hy ell él 1 al a. aM : a i wl yt Val) Wy TY a “1 7 rte. Postal! q i v1 a bd al H lle le Rn w : ly rvin 3 we 7 4h Ue “in Les Stil at Hi TH ey + | + ae mi x aa i Hee Sail ee Hh shin A os Mi a rie a Lf He AHH So tt . {1 S . 1 me | 1 : rea, “wt al rn : ' és wl en | cs a) ak q ' UJ Hu i sh He i UU . [is 4 ' . pill us ay Hl = id U ae AH : 5 A ‘N ' iY eH su APG [* el aL E | I s + 4 ral ' a ar | : | i i eH! {| sll! Th ‘ Nil LI nN Uh 4 ES ES f . mute! |S Ee e “Nite oe “Eto E Nee |