Woodruff's Grove Movement #1 from The Ypsilanti Orchestral Jazz Suite Violin] Composed by Paul Keller (2010) n tip - Tempo: 90 bpm V n Jazz Bass Solo ‘A | Straight 8ths 1 = 4 6 a 8 Se 7 —— - = : passv A r t - + 2 St Pp Bass Cadenza a tempo ————_—_—_—_—_—_— | fe f / 0 \ n \ p aan sul@ oon OV Mio Go ¥ OT a — — aS 5 Se ae te 31 a v n Vv n a _ $4 b - — aa. Fe n a 3 3 t rs — | == = 2 ot ui} _ _ (S 7, Nj p y n——~A ) [Blv) sas t i t pass = cs 2 é _— o) Ss SU ; a tempo 4 44 roo n n Vv n vb ob g P _ x= = He To — aa be T oe a ; — ae 50 n Vv ui n y n ; — ae 5 = = = a: ( oad SN — n ) 9 w op DH Qa , kV >” itl a @ EP eer eins a 4 —— : = = ; ——— i ~ —— - — si 4S + = an I a (3) “ a 9 60 ss n Vv n VY py = — ob Cos — — a ft ry) — _ wot Swing 8ths \ “New Tempo: 180 bpm C ig “pa 2 9 Dl's 5 ma r { } + = " " ry) " Vise sors 4 "oy Ne Tat ele P — Nich erie f j2—_F Tobe tetede ete : 7 t = : = OF 3 3. NS 3 Wkik ny | Woodruff's Grove-Violin I 5 102 N _ v O48 be ~ = * i —= nied oy) \ ~ n im} 106, > 04 > > a u _ * 3 > , — & ; ae y i? fat pe tte : z ary) | V I i E Ken 3 rag h | 3 s, n ve ° ‘> 2 — AA bs i — —— —2 reer t —— 3) T IS, n . f — mS — == - = t rs } f L n n Vv pi] 4 > : A = 0° Py > f = =" a # fe ‘= T f f — t 128 x ; 5 > o wi . a > A et rae = © — ft ——e oo z tes z — i tt e | ‘<< & y | t fi A ! 133 > mn — = 4 = ca ke 2 = 5a : m 5 —————— ae eeteaeg os 5} L SAX BREAK a nov p 0) A n os 2 A_e A @. Sa i ee eee a (soeaee cates ooo F | | Ist & 2nd'X Sax uv 45, 3rd & 4th X Trumpet 7 va ony nv oyna v AAT $e ———— > 3) oO — oe e ~~ a, 4th Time Only — n — * ye oy ey —S SS =— S = tae a : ” 4th Time Only = 159 ov VY a Au A> AA - * 4 fs, ——== =f Gt fo = —a : : 4th Time Only A . mY = a ea 4x Sf 4 : bey ° } me ty 7 af esis = ; Toatee re tz + ov u ; Vad+4th Time ahs WNT N Lane * a Woodruff's Grove-Violin I Mh {fh = Sul, 4 . we) A - a A ele 1 M Mh mn |] ou J one n ~ . Ia] = 7 he 4 ot uit Ah 1 S OF (s) A ® Nd kt ql c A@Le M : I \ Qa ive) rel « | Oe tell el d 1 il 4 _{. ; | & ay mi { c Ae 3 PH} 1 eLL E y aac % acs a7 1 3 > ‘S c + = ; H alt ay ay = ay a) CED) CES) < |p LY le c lt 7 all] > ; | | q > felll & ( f >\q >| Br.S 2 @ od @ m4 we | . HE ( ; cR © ft > w ca c t [ $ N ‘ | = 5 alll ar te (fh “ne - th cK) 2 “7 c Ih wy m A S| nN oH AF} s ne rT a al c al ws | 4 ( mii © | e c - Ky > rT 3) = rT] 7-1 : aN | it a { rm OL | All Cc Ae€H st oN i ou 3 Q =} i s als > alt Q aes || | Ned etl 5 a q b ¢ as +5 44 44 ange eSNG epee mp Fine . i ~ |8 > de | ane ge .| J all ce c yet ‘i \ a: > | ‘ul —e Nal | mh ( Hi ab —cTTN| rel ‘ia Q —> He > fell m ciIF BES arn t¢ ne epee aN Viti The Real McCoy Movement #3 from The Ypsilanti Orchestral Jazz Suite olraige Sths Composed by Paul Keller (2010) TEMPO 1: 90 bpm 1 2 3 ja }.t @ rt p 8 8 16 1 « as me) eet = == —— ve one } = = =a So Heise ws Tiss? Waele toes 7 _ J accel accel. : P in (ypiv pap vt — { t t —— t = = = ; o.* te —# a | ve a a i —— accel-—— accel. Ss. 4 , v n yi ; ————— ——— 3 = _——— — es Tees oa — 2 accet— saaccet ss 4 NEW TEMPO: 245 bpm. Vv fh 4 i i 7 r = : 7 rm t— T i i T t 5 a a = be = == ry) 49 | f }_1 if 1 . I 1 r = b> 14 i iat t io} =a y pros add 53 ae /— | 1 a — —| a a e oud ro) t ot i it —— oo Vo is o-oo 12 8 n v = = : = ” ft oe ‘ ‘ bee. a gs o bes i — e Er Y : AS D st V { Ss) ci b _ A - 105, e a’. 7 m ‘ pi ete f Ff Af eer fF oF a - tes t —————— i The Real McCoy-Violin I Tw ey a ( in) Q N cq ' AR a i < ine % inaap — Sa | % >A i > RHE > ( ss hh FP aa q hs 4 = cA x « 125, rad > — a | a g = d ™ IL oul HH (au | h _ Lh @LL iy < | oN I] LL i) i g cr LH Lh H | at 2 F ° 5 CH 3 < oo Hn s if a 3 & >< 6 Ht ° “Xo I] Mw 5 E 2 Wi) a 68) R Nn IL EAM & w Sy = Ss ~e it | ae [a] - oy ™ I ¢ fd Ad AT Ad Ad att ese 2g ir) amy aN The Real McCoy-Violin I aed c oo —— ra ee a ; D) -—T — — 3 4 Vv mf : “fa: 6 1 Be be 2 ote bebe Oe oo a 2 a i “3 = = cS) I " @) 5 —— 20 Y v Yaw 2 af 20 ij p a red oo 2 we — i bette tes z — ap ence ry) A ———— ~ tf n> V av ; » 2 He ho n NEW TEMPO: 140 bpm ; . j— = = 4 —n —n —n Si Sf mf —— _ mp ; “9 6 vi a a, Aa = — ——= —— : ne"? a 2 p22 2? eo BN NN ooo eo 5 aa f f “Ff a A A ———— ee === S=S==. é i ca a A A NO a av Lt t Hs t - + + + = oe At a a A AY A NY A +5 f f e f e 2r = e eae == cy) \v vo v v Vv a Vv apt a A | hares ee A A Sg pareses al —s —— i VT z q 1 T ) ry y | The Great Migration-Violin I <@ * all A el All Cit al Ne -_ _s LH =a SS * S 1 Z IU 2 Mu 7 wt <¢@ yy Nee I Cc ( c <¢@ \ 5 il i | all c RH Wn : aw > ell Re cM St 1 , \ wt | cA ee . ofl < . ra c Tr 20> ARH ry wc .) | i mK lay i] 7A eu aril H / >< » “lll HH Il) 2. “ITER. Con | , {a} ie % M @) eit A w 2 Noe 172, OPEN "FREE" PIANO SOLO The Great Migration- Violin I PIANO SETS SWING TEMPO #1: 140 bpm AND CUES ORCHESTRA BACK IN @ E p = A ey oe E 180. rc —_—— 2 pty _ k 7 ST co k t = {ey t oa toa T 1h = Z @ e+ V poe < y 3 a nf’ el é é r 184. Z : | 5 a ——— 3) a a s — oe 188. 3 - ————— ———— ; = Ga = a eee i = ; > = oe eo Fe foe ats eo qe eo geae? — * 193. : ; 8 3 pS - : feces ee Ss : e ¢ ¢ He TO ¢ 6 ~ 207, n a be ——~ vr 6 — ete # — o> l "2 r-2 r mi tT T p Pee at —— ——aa = =r 3) T T Le T Nv 0 212 Q) "> n ; “p van e7 > | o-te—e to? rf SS = = ot —— T ft 216, M 2p e2P oP 2% = Si fF rere == 218 ea Straight 8ths n a 220% yovi A Va abetda a yA A aabhddd & _A A vy iM Za 7 _ 7 ~ a ——————— ete ; | ee oS i t to so Rea eS Oi oe wm ne Vv p 13 = ee fg 6 ru. Woe 2 2 =. =o =a ft es eet te? f ehe—P ——— t t ry) 3 3 Mea? Vv 204 — y aA: yo r == == 3 Sa o tf = Ss =a T —” od p 2 ipa a 26 ne YN Ve ee al v n a a ret — 1 f a ——— Cy) ' St a _ 7 : Vv “py pe oo ya + = sat 4 — a NEW FASTER TEMPO; n / q \ 7, 0 230 bpm |_,l> _* > & bt F< : £ f-£ ——= | f ' A A2 + [A] 8 8 8 8 — t } f } — } t vs Sle V r n yte 77 [B] y ma) bee , LA A yh A fs “ ie peo —0 hp oa — eS } t t i> 9) ‘ y 81 i vons n v > r +, —— a a) rN ree e =2 == > — — t 16 ZL, tes. va f fs ry) 61 p p tes 5 oy n A a bz Tre> 3 DRUMS SOLO A 2nd X Only 113, down bo Says Alycca, by) ~ —s n 2 t Ist X Only Ist X Only Din A A = tS ~° 2nd X TRUMPET SOLO >A af t as rhs Ct t If 2nd X Only a ot — 2nd X Only Ist X SAX SOLO a_i a Sax Break a (man iva 9) 91 A3 = f = v — a = = ed = ot + x = tbe / 2 y a z A Downtown To Depot Town-Violin I Downtown To Depot Town-Violin I NY PI a A K >A HI] oc oth « ‘ at Ht e is Ni < . ( c AL 1 | ary N Nn .| al . RP G LY i — aall yg al ae fe) 1 M ars 2 [ q Ay NOW . an SS Hl og Agu 7 oe} < dl! . cA eLL * 7 = Ast .| 7 > Ae be \3} ] = “ec - 4 c ry Ne! 4 “ <@ ad x Ss c <$ {at a > |e Al é Aw 4 mill i] > a | Fe ‘s ars Ss 4 Can el eu c da ese “a c% eH = ei rr] ot nd 7 tT] > At ct | Mi : <$ iy ( c N fh Sa cul | = . ==> = — 2 i t con sord. n 2solovins. Vo TL ; V 7, con sora. L | senza sord. tutti ia st 1 a aa =" — hers =— ‘ LI P LS ii: mosso (non tanto, 2 Vv ‘ Yi ~~ Md - n v n 1 A 3 roe 4 DuE ya tes. anata P oe on Ad | re v> Agt s, oH Pil pa q = > {IF 5 > th sa HI} ( I} a4 g “° 7 WU cHHLS $F oli > |e “ mae Th >Polle Olle dl + 7 i ] $118 O11 8 ce ie ! Cy Olle e118 AM N TIN] s ey we , lll] # O18 oll 8 2 > alld s > Bag. 4 3 AFRICA - Vin. 1 20 e fh 4 2 or N n v ot id ' ms ! on rt === Sa eo a a a ee P => ——— SS mp ee” ; - ay i Ne rit. BY enaiaats. J=66 4 , LPS aiete —— —e +—+ (i e T — + I S> — > ——=._ of crese. St —— _ &f NS +hfous' n Vg Vv v! —p-# + Set NV N a a — =—— —e. Zz eo f ——s ——— BG t ae t —t tf i tf - + £ = t oF yt ! 1 Vv yon Biv voveon Vn v fs t +— oon ee pS —— —— ee a oe ee ee “2 << # zd S S — rit. Pid mosso J =69 \aiv. t Ky 3 Timea mp espress. nN Vv Qn IN t fy ge —? v A Vv ' ——— — Se 2s0) con sord. bi if r { * Vv tutti rit. ™p oe Pp con sord. AFRICA - Vin. 1 4 2; Land. of Romance % 26| Lento J=63 poco rit. atempo = 13 2 aN = } ; = = 2 f ——! = t : seneasard. mf molto espress. : n — i‘ ote T a —) aS PD atempo ” n p & a fz. T 7] i EG = = =a: e v — + viv 1 ai Ht -is—s—s_ 6 _§ § yf § € tes — t t t t t t eo t—1—t —— ——__ af — mp Vv r - rit. poco a poco ——— : be fa he o o | °6===>=L= e Risoluto J=88 i) 2 ne 1 P ft i re t e — mf go cresc. If 4 n 3k It n— ! ft #2 a Tea, ele _$ & E be te de —+—-+ fice oF = (= =e i = ¥ —" rT ro) Come prima J pie : — 88 dim. Ty molto rit. ty t DS. al Fine £ b ia m ae" + nv ele # > TY) + AFRICA - Vin. 1 im mt +o s 3 te oth 4 z £ to — £ Y YF f= >p joe | | ™p y == T t t t nv arco a tt x ia molto rit. be Meno 4 ie ie ~ t —r 72 t i v2 or Exel nex 2 rit. Come prima J=120 3 Meno J 72 avn i t € v r t ~ 3 0 — text, t L 3 > y | hf a = $s a eel 2 ¥ fom! ‘ = + energico f F od + r —3 > tt ¥ arco V a nv unis. Ato z n t t t Moderato con moto 4 7 = 3 =120 Land | of Supersti tion AFRICA - Vin. 1 AFRICA - Vin. 1 112 #4) 7 = Ye ie 1—¢ Moderato pi: mf Poco marcato Wl AeA F a) el ay \s we >| lH. ily Ht Ly n) a ite [¥] il us =n [Ry c ie s [¥] c AN@aASN ne nh 5 dl Oita ik wt eh TR c EE, c Ae \3} te . My > All : >The ++ x He : Lal > SHT™ aly T all oy lM ( HHT | sifiss Ae e a 4 Fl e . S mh oe 4) ye = || I ‘ T ( 11 Ms Ad “Ha Gs Nee NE ve: calla] lu ~t q c wt > ia | te ee >a sh oe ; i Pp =e aT Sit & |S : ani 3 ec Ss R UL Poco a poco allargando nw ——s aot Je —t——t n ey of te _, — int q 0 be be fe A Poco — oe — —_f AFRICA - Vin. 1 Vv = 5 fr — nnv +—t = n = fe ry n — = ‘ =" i poco —=_ b 4 «ky F 10°” n vw n o-@ | ! ial > y 5 5 a n a crese. NV llargando eZ ft Vv —— nf 55 Maestoso 4 nye n ra t Vv r= o t S]{// ips ® 6 < TT "3g tHe HH Hy ied \ TT ce " S 83 [Bao TIT#) 9 . < Ye NY SO lite = * | ie } nL : Te W TN “Ay ah)