SYMPHONLE IV. \-O . n 7 VIOLIN we P. TSCHAIKOWSKY, Op. 36. Andante sostenulo. ios ny & vt #2 he iA 1 1s4 | 3.11 lon a: |=} fa] pata eee ee pugs - ay Pia ve rit. ut VO 4 bbs of P YS) 1 Moderate con dalma.(d.: In myximeato adi Valse.) \, 7 | eee eee Sere rarer eerees eres sul D 3 F etsy saa ae a 3\ Avy 1) poco erese. v n » lh il ait (He [ erese. Riva @ y 2 + onert D etic eresftette eee» Preete trienieoffpre neon ‘teke Violin I. . Violin I. y Vv Sev pre NV , fl Meno mosso. v v ritard.- - - e aim, We Vv “A y v : , Modarato aia al andante. VA 7 No C6 Sc. a BA Ben sostenuto il tempo precedente. <0 & Pe) aT = — ieeestions Serer eS PF 7 4 a, TTR > Tm -EEED $e + T ‘an _deeP thee CE MEMED oe Un CSU © Lt | te T iE va 7 “oll = T i _——— =—_ ee le P _ nan n (v) n Q = cpt t = > be ee “= pte $] F< —— — uf ah = oe [7 oh . f& a Lowatt ot) = states ; : —==. —=—= nf sa + yn Vy n nv wan Vooav Ys VI vn v, hens : eat +-++—-}— -+— pt tt +—t — Cresc md ——| T tesdaee n — 7 T ha gdp —F he ‘be x Sp te =>ze25lS pier t fh vases a ia t ——o EPBE EE tet Pipe enter if & tee simile Vv 3} cette ee ebert £ titens » rete LF eo 4n V » £0 _® 9 3 5 NAT A vbse ga Som ne | Tophobe b be “EE ee: rhe at ctesiere be ‘te E be E stlegeleeip alee TT? meeneceeneticetion php: = be them ep: () 4 v slppiee *e: sEiee aie be pete lice We OA yon ; iY . 2 he AeA || hems ALS s 2 te Eg ee erin mais 5 Eee iaCalaets 1p tote "Et inf Violin I. ; welepceececeeceepeeCrPeeta arene epeees @ > pep2 r1 a, tn , ‘aptete EFM Pies ee, TT? © j alee Oke te © Fh tne rnnerenee gzems sno emereeenneneeteerenoresrnisst et AN ere seeetstneeenee Vaveneetneneneeennnen Psssssscosnvastnnomone . m8 VTC TT PT eT eS ee a ae V Vv v i, i Ay v * dim. rall. poco a poco a - -- . - | | Pcser ot = Vv Moderato assai, quasi andante. er ae ar ar are a As a A ah Ae a nh “_T sempre stringendo al - crese. et oe + ss et we pet v Fat NS . v © Angee con anima st ON “pot sok ; ‘ # set soe > oe JS cresc. yar OY 0 vn fStop os — we v = " = ‘; E ° patter eeart Dy ee se ap —> poco @ poco string. pom, t ee Teele Vv re Vv ibe = fee-% _——s . fet V2 =o +e 1 ae _ lasdabed jee} YN = T ff ee no Wi <== Sasa aes n V 4 J P n Vv cE T 2a ft sie ae # é Violin I. Sa3 2 mol BP poco a poco ¢ orto pi mosso. aN ae axl — cc 1) (a 5 Sint sc an E « f = Fea V ~ | = a Et ye Ft ea. Sk hy pteet Ef Ee fee eS | a earns = » fee es {ee ae ——s — = gro? gro vivo mosso. Alle, fetete fetete te, . Phi # : 4 pizz. ole , ) } ews Low! tae Violin I. II. Andantino in modo di canzona. 4 he ss ont (Pantabil 0) Se) [azz=taaaciag 7 f + [etesada asciaae I ——— a ag oe & av co _ a, 2 — aera ——— — eStee Sas ae ol : 1 > SF: re —s * A QP i ive vw a —F= a Zn bhp-o hy Aeon be > bey Aol 'e 2 2 8 ! crese, . q == = 10 108 ae n ay \ -. Pl mosso. ) tune Violin I. 8 sulG.. 2. 2. 1. ee eee we ee ee ee Rta 4 VQ roo std Lhe 4 Dv J - iv wet { Foe tls Sears = =a —t = rere f == =———so -—— ores my or bay > Pow oho =~ In —~ babes L'Re stan Ree eee £ hese thes ebee fF 'Pie § — = ©) @ # bees On —~ UA vv va Yy A = £: E rs ; ~ = ioe Ebene # E Eftic fete tose Fite teen a 7 cal = 10 ete > of. amv £ bey, o>. - —~' —~ hb, ELEe theet Erte @ieee EPs eek Robe eels f pibe li Ba st t + 4 ria a Y = } * — = n Faistante Sheet abe be aieh, ~~ n on A-See ees Fit bao be eo tb 3 ae ses soe ie = \So v pA aim a _ Spee eS : Shaken 3? my eo ¥. wl) af dim. rt ood) 7 Violin I. Xr IN Poa d\* TIT. ‘Scherzo. Pizzicato ostinato. _, Allegro. V7 picsicato sempre () ‘) ® hesse iasae igzza 7 et I — — checld — | / 229 A) aw A @ —- an os a on ~— 2 feet — 1a agegicae, 4 a oo P a) —_—==——_ U | Pie * e f Seer Liaster te ceeer ed fe sl sbise or eet aeaieees P ry Tv T se v Le V te sA Bl ag Vata > 1\ Lp fon, n ¢_fe- t {a} sate a e he me) orese, 18 rn o¥ 4/203 4 \ LBs" 5 aa 5 2 Popes tegen PPbee 95! beeee ¥ ae ee SS CE, a moll my P = = s)r b Sheets 2 t pete 2 2 ef 2 = == £. phe fete EEF ’ + + t J 7+ + x Pp SY 2 a 46/103 ba Do 34 aeeearic i pbasareaeaereis pee QS /3ie b s/ the bee f f u a | 12 Violin 1. 1. dim. Meno ‘ncase’*” Eres weziete aciae 8 1 2 ei efits ras es . 15 DP D.C. Scherzo al segno [an pene antes. e pot la Coda. rae CODA. 3 2. 2 2.2 2 = =m I = - 1? mo _—T7 = nf 2 ieierrietriecgs prisrrisroeisisisiniz . — Y div nn fee at Fe fe # be Oa —| = is eae: + oe 7 wo o fe # he #he the # be # ie # be T Gp appa ps ip gps aps aE oP 348 3 — 3 sintat 3 — = iz —_ AN eo 4 S ‘tabelos 2p PP \n% Alleg: ‘0 con fuoco. IV. Finale. iN ‘g Ss en a n & 9 PFE Bette esters De a % et Phebe Violin I. 13 Sf n oa ef: 8 f L do i Ts + t t d t f eeet 3 4 Hy os }i pao (ia > H \i= “\j Ws) i 4 Ui i a < i Is = TT ae pecTnegemnne Fe t 4 tebe a ypfeaancgeceneessen t 2 eretee bale te % 3 be: —— = fo Prevveecbcbeenpeee iq vr ete he Senor ti soraieroralasiatasreiat & —_———s—_————— = _ feat ——s A dy) > a heb, ‘ge ab aq ty A r= P| t cetete Violin I, ee A ee eS a fon . Ae D Oy “} @ & > a co wl a] {= (4 ell ee ell ou all él ea rin él! >t oy atl ae c ell (ay ar =~ 0 Hl ri -} OSH “4 ati > « cel qa ( cw q! ~~ . a] tt q cal “ut oS it > Q) «= w ann ! “Ty ss c =f] ell +h x C ou elt a] u Pai elu al! > oi calli (> > al s chau c th 7 ce r 3 R j a. = Aauut ran o% a Aout eu ae Ae elu a ; aii S chet Ry aut Dp Ht dite = Sf e y Violin I, TTT > TT? TIT? TTT? T dy) TT? TR 3 T? < | a ¢ 3 5 com rn Ae cEEte Are ie ne ‘apteDé f e bow oe a gaa se ioslieglin sinsiei aprial enterininsnine ; ee 3, re (i 1 b : re" . eS | f a _—— n Yoon YA ov nan a Ce J t t +—+ : Srrmisssea >S | +—- C % . | v a rm weet NV + t ¢ t moms a | am + v a, v om mn Byvov nv z is =e > r n r eee pee T \ 4 4 mf ae alec a qa 7 = ae +h 4ts aN a =s:.=2 =9 nd Lit J a <= < ~ d | ¢ bd get ¥ y Ox 6 = 7 = c = ; Gu gw ord odme.< @ ad ‘wtp fu if u u Z r ieee ene fH a a 4 \ Che cess V NA td i t wy oT OS on 4 vi yb A ‘oyuepuy e == oo So Pyege4 ad yeaa tag ge eas 4 Ht, : alae? per eats 9" acc eae $ ae ae = eer oe =e TTT TIT UsloyA pyrene A, (OK fe etteee Same V V V 2% _) VOY VV sempre fff papi Violin I.