Violin I Symphony No. 3 Brooke Pierson (ASCAP) _for Adam Riccinto and theYpsilanti Symphony Orchestra 1, Prologue n Brooding J=50 *"*é" o i aie 5 it. ly i 4 4 n v n ps 3 im ° e Pa Pw Sow. ® “s ~ ro’ = Sa S555 i= 4 SPS = —= tE = 6 6 Sf mp Vv More Motion J =68 rit. Slower Again J =50 arco d ia . pizz. — 2 div. 4 ——— ¢ = —— ¥ ———<$<$—_ -— 3) eo 39 —===_2 mf n n i 4 0 unis. Vv 3 . — > z] qa = ‘pe 2 o eo o a a 1 ie 4 1 oo ae r t a tS = — of 6 6 6 may be molto rit. 1 > n My bean (ee ek Oa fea ee bebe Ge id er seal cy) 6 6 3 r gee = Broadly J=78 S ~ Fe \ n ot , 2 be beg ara a . 7 ff t a s = vat 1 — is — SSS! if e of v n div. n Y n v oa o, he # £ = fF #¢ # 2 6 Lex a o4 t t Ae —_ Slightly Slower J=62 2 ae Abe” ‘gp ft # athe” obo’ Cf he be be be == {—f 2 —— ar a = 5 ibe webs oS 5 PPC eheha be abe ‘EE pete he ueisis oy ” os = —s = ous 2H As 7 \ 43 eays et Copyright © 2024 Taurus Music Publishing, All Rights Reserved www.brookepierson.com i t QOF. n rit. a accel. accel. 2 27-28 n t ba —s a~ > £ Ht 4 rit, rit, 2 4 Vv 2. If a iT \ I|OlV sup ——mf a tempo 2 56-57 r3) Heroically d 35-41 72 TT TRV, tt n : Z Z oOo ; x n N - v —_ Z==5 Vv —_ : =72 Qa —— v 3 my n ay ° } x B3 3 fe rm 2 ev e- U ba _ £e = 4 o— pr mn ¥ 5 =~ anaes ror ere ting I Vv ° v t oe ten rit. 2 31-32 Symphony No. 3- Violin I - (pg 2/18) Symphony No. 3- Violin I - (pg: 3/18) n n linger... a tempo d =72 rit. = > a = a ese € © Pern YEN ' 2 _ { = t = = -f -—— f f + fe = {= — Ae 11. The World is Rarely Silent (and when it is, be wary) D attacca, SAS vib. Pensive «= 50 i -4-yd dt gos °° eno p= = 5 v n 6 = ——nl— ) pp 80-84 2 36-91 p— space left blank to assist page turns| Symphony No. 3- Violin I - (pg 4/18) 4 2 93.96 sul A 7s 100 “y PP 60 v suv de \ (we *) More Motion J ial 05 n Vv S f arco pf © i unis. tes. De iv. 13 rit. A /2 o> unis, s e oe a F be NN? Ne 7 2H mf race 121 ut 4 arco ee Zz 127-130 6 Pp div, n v bee. = — = | pr tt eS n nrit, ake 138 —. vans unis DSN Were’, “pete beh fg sr ae i "accel. rit. Gelmere Motion J=60 von 142 n (Vv) n 2 > ra Mig res p f + o = £ — ES : — 7 mp =— mf rn linger... 7 Vv aN re | on ) “ 2 Hanes 4 a4 é | a 7- “a es bal t it bil 1 y + x aA ——S — ;—S * + ™p Romantically J=64 molto rit. a tempo ik pn ARzSS = © aN re Y > , ae ke ee fe eee & & f tee le ste Sn ee L—¥ =o — Y 7 Ss 4 St hu D Vv Suv w Pa) 0 t v a Vv nmolto rit. 7 -_ eo a \ ~~ OO . py whe f Ff | | te efe te ceeiere & fe £2 Jf T t t va i. " ~~ Bacsi = oy) 3 3 3 of SN wv (1) Slightly Slower J=62 n — 3 mn — 4 - — =e —_— = f ; —— =a oo) — 159-161 —_ 163-166 a] Symphony No. 3- Violin I - (pg. 6/18) n V qyaeeee Don V V 167 Zane 2 ty v (seeee e 1 n Vv SSS ft pe ia) Vv . oa ete ~ —_ t a te viv yom vy rit —~ on 2 > > > ete > PA a te, ¢ eo © NV -—~ ca ere se eret t 7: i —_ 2 = << 192-193 @ N vos as OD @, a sere Ne fee f i f 4 | 2 If More Motion d =76 n — ae ee Be -—* : i Le WR “pe ¢ f ¢ #F pF _€ «* , - ¢ ¢ ## 5 — ee ——, ———— oy) v al — Tt Symphony No. 3- Violin I~ (pg. 7/18) VE n y Unis. 1 n 3 zn, 1 “ f 2 2: (2 e @ e ve z gs ef @ ¢f £ F f ¢@ e # 2 ” — Z f t + ( q 4 my @ 8 3 4 my ky pittiie ¢ ) gf pe) _ ie = t fr ¢ i E é — — = _— vel } t : n ; dae pe ©) rit n (M] slowly J=56" gut k 10 unis = ft ¢ en VO te ———— eo fe 5) | t = rad — mf rall. : i 4 CO 2 pe 1-4 ——. ————— Z ; $= F ry) 214-217 co 219-220 —————— ee? P \y wy vod III. The End of All Things Allegro «= 144 & +344 4 13 pizz. oe SSS S—= [4a4]-| Pp ar 7 Vico! “ x ° n ; —= | ———— eo =A — ra hs BOSt A | dl As a \s RY ( \ © ce ‘ « (: wt - AK 1 mn e wd > }4 mes d 2 T > i cA l] ” 2 - | . a | —< Al | . Ha i} els N E; All (: 1 * as ~ = fl ‘ ‘s mh” 1 ee td a cM ONG c cel Zz o a AG . . a 2 ONG. Go NG NOP NOP NEP. Kk ecisgly Symphony No. 3- Violin I - (pg: 9/18) Noo! aw 3 n _ be ot 4 e t 3 AWiow (E] . i Vv Oeaeiee & ste bette i aaah —a—o-F ZN tw t — $ 6: a arco o, | “p> oie 3 SEr —_ >. te ry) awrite os, e i 3 aie te 2 ™~ oe @ie+ 3 t 3 A eretete @f tT a~—— nee 3 AE 98 Symphony No. 3- Violin I - (pg. 10/18) ® [RIA " > TRI e lA Nd nt MF nT if { Alin 2 “NUS 2 e >IIN >A Ae a | wt | ul | hel rt {'T| a Nil pal -} | 3 | | 4 a Z \ ty toe — 4 ~Cp n —3— t ae La Mh 48 Tad .) * OM il ) we : c iis CA} nh [': is \ SA nt ay a c AEs eS =) aH ae A no >A © th dill cq sii alin > Ad ne ie el nn c < lI i! im ce >< cé< we re “A re C TTTeA Awl N4 cAG ~AGeo ste 3 Symphony No, 3- Violin I - (pg. 11/18) G Ta AB Ve /b Ne oe ee ae —~ sk Ba | ? = = {7 ;— | ‘ == — ow 2 n n v _ / be — 3— 3 mn —3— v 3 > ———— Tt fat be 1 te = ——<——— pa ba—e 7 —mw + © tee te He ta te te te wr Yon v © (4) n zs —Zo ey a ae A? r oe Pry @ = zon 2 a if} oO Lee q 2 5 St ° ia) Vv a 144 — > “a> “on — 3 3 ———- ——- = asi t + i m2 z t . Ne SN te n mw Oy 3 . v i“ von yo 11 a rd ¥ ‘ T b ra oe sii sseierist eee: Kagel _— hice = 4 two * Vv “p pouepsreeeeieee usetee e, \o fo +—}—+_} tJ oe = co) 3 3 3 7 . Symphony No. 3- Violin I - (pg. 12/18) hd Mi iM hi A GL ERE mp 3 ) w 3 3 3 3 3 3 7 a in) Nv > 2 ais > ~ von yy 7 - ff FE a > ete 5 bse SP eS PF phe et EELS eB leeae.. f= Z t tf if _——— 3 a e 3 n I a v =) oS ——, Vv a r 181 =~ a re Vv > te Py — <— sth at he =e — : cS) ; - n ae ese Py _ Vv = ad — O/T —_ ——_ — + be eiete# © ote be as e; ff f hah ' a v ot © 3 3 3 7 7 ; i Symphony No, 3- Violin I - (pg. 13/18) 4 a p rT > > > ae, ef = = t= — } x z z = rs <—+¢ e iai a) Da nr Vv Sf =— XS = f 1 e 3S ba - vO > mf Se 15 ny rail. 2 — | Z — =~ - 4 ©“ — = Pp YE uve IV. and yet we m in again 4 ; e Pensive @=72 Aro* bo +1 v n Vv I v opr I pe po, 16 InLVidungy 2 2s 2 oe ; Ppp—= —— pp— =— pp n v n ge Vv n o,f 2 2 eR mf ———— mp VS. space left blank to assist page turns} Symphony No, 3- Violin I - (pg: 14/18) accel. j [2 aston, Broadly d =76 n — L - SS = —y g me ——— == Se j - mf 7 (Of Vv =.) V \ ars — ae: = 3) t od t v 0 ~~ n — - 3s WKib AR aww ‘ a a: P| ——— 2 F 7 f sg £455 = _, tes t + t f iad tf ——— ad Nef n . — n n af 9 v q v “9 e fo" 2 -™~ te et Le a e subdivde gs n v n v nv hn “6 _— : => v pf. t—t 3 mcs, t — Qe ro) — zd z. a. ® a 0% e 38 & VS. _ Symphony No. 3- Violin I - (pg: 15/18) v toe. Spirited ds 152 ny 4 $2 | | a Vv nv 1 . 1 n nM —f—j__} A Zz ALA 2 > ran —— | — as" =F H— f ; a ee ee | I = = ge dim o 6 n nov , on AA AA > Le nv | 2 | | n n P os mF { c = m v2 £ st & £ £ —* — i — ——— + rs + L ns rs f e —_— — T —— tT t nv n n av nov | > f — é = —s — fe == za — | | 64 y ——— 0 OQ 7 — & it > +—+ == cs =! ft © —_ t i o Nl Vv n nv nov Vinvony KO} Vong a t — ———— = i = e . St mf _ v iF ial nov 1 > | q n a hn y a =—s : — : — — vo ee — eS ee BS" t t u } Tt i t i t i" t { a) Symphony No, 3- Violin I - (pg: 16/18) 3 Same B 4 - ? » Pa ert Cee erte et a PEE rf FREE EEEE — [a ois Wet pipit l a0) ©) a Vv Vv n W Luscious (half prior tempo) d=76 Oo sig se bE pore: . e 2 e Ue £ Wee 2 as Ne a DY o i—é = Ds 6 aS ae If —— Ff rit, <—— a tempo molto rit. BSS gine nek ag Beye 04 Fin. = ° a, eee ae ee ee E Ore § fe — at = 3 — oe 4 t ot f° O4 i t t — t t 4} {+— 4 2 4 — va A ” & > _———~ . pf ° a ze = AO t cy) r n 92 2 - - ——— a ———— = tesa —a 7 == f Ss aa ot iS mf a Vv fay v Ye = AS =n Vian f~—2 oS ———— Do? 4% = tes — aoe = 4 oy) I y LJ —____ oe accel. v Slightly faster than before J=78 ne V n Vv _p \ t= —— eae z ast o- tf t ry) Lo] t T mf Vv an Vv n 120 Vv b L- oo 2 Symphony No. 3- Violin I - (pg. 17/18) Vv o —~ von [te - ft wu D) i — | Da — a e 4 —— <4 n Vv n Vv n v " 7 — 2 = | palettes =e! eo foe ort 4 A fog on tae goo" o* re 4 a Penis {G\s = (G] spirited J=152 ditlerent > n n nv A nv =" > ALA ref = At AA —= 6p = SSS ry) 14 ogy v v v ph —— A 5 oe be A_A A_A A_A > ALA A_A A_A A tn a a od ats it + lk I :” T t : t % i 1 ay) — — = — —— NS r) oe . / n No Luscious, Broadly J=76 138 v von ~ Vv " v 4 ~ _ oe 2 n ie i, n —— 2 —a t — cy — . oa T 3 id = 7 Ns n v an Vv — iS es " ft - ro) T y A rit. 146 “p+ — tee > * beer — ASS oS f { { & : — tt 7 mf Symphony No. 3- Violin I - (pg. 18/18) v dye > (1) Heroically J=72 n unis. & + a 8 # 8 = { t : If n n n v v fa) v —_>~ “yo a 2e0ee0e 6 ® -\ ef) (e #F Ee x 3 yt {-—# Qe 3 < x 4 : Y= —_—_— 158 o a 2° et 2 2 7S =e = ——- = = = AS Ye t sudam 2 ——— delay decrese 2 vostey GH A Pensive d =50 Nv n -— ws ————_' gee ee =f a 3 -2 @: _ ——————— — ™p LPP Vv n \ 168 y res rey 3 6.5 ———S ra)