1 Symphony No. 3 Brooke Pierson (ASCAP) for Adam Riccinto and the Ypsilanti Symphony Orchestra I. Prologue audit a) ry y Brooding J=50 ote welts, oe 1.3 More Motion J =68 rit. Slower Again J=50 arco v 4 . pizz, — 2 div. 4 d J + saaneneaee = & oe ee = —— ry) e 8-9 ——_ mf ——Dy on v 7 ibe: J] © “ ‘1 \ be ws aa PS fbn #2 ——— + ae { “I f it af oy ‘aes S = vf 6 ‘ = : Sub dv oy . ¥ n ¥ molto rit. sit \—+ he “pt Veal, >i Pay, ey > BL Zale | bebe t T “T is + +++ t = + = — : oe re —_ = 2 6\ ra n 3 geo? : Broadly d=78 S- A v A a fe bebe gw ae , Zz ‘ Ot ae" 3 5 2 ss — —— i 4 AE Sf y . div. n v ° v —™MN », ¢ # £ = ec € #@ #@ 6 a —_—_—_—_—_—— Slightly Slower J =62 4 wt ie oN ibe abe ‘ie eho Abe oA Mp FE gee o'be% He "t ftp be be be» oe me tt Osr Same a \ ERIS o WP pile ip “o£ Phehebe obo by E fF sh bebe os 2 Ws 2) a) ee = Copyright © 2024'Taurus Music Publishing, All Rights Reserved www.brookepierson.com Symphony No. 3- Violin I - (pg. 2/18) v ———— SS accel. rit. a tempo . : ; 7 ee ° = £ — ———— — = . ut mf SSS 4 accel, rit, a tempo 7 y e , ny - = i 6 ——— = = a 2 — unis, @ | L 4 £ ‘3 _ a 2 oe e 2 f $ — 3 Z { 4 oe If 0% 7 z Vo 0 v z ——— “ © oN 2p EN (Ce ££ #e <> cad = = + = = 4 — — Sf n rit. Vv Heroically J=72 @) ©) puerct aa Pen, 4 Vv oe 2 e s 2 2 a ra ee tee = it = Symphony No. 3- Violin I - (pg. 3/18) " nh linger... @ tempo de72 rit. 4 “S. s a _ — " , ae ¢ @ rf. fee Yt 2 ea oe cece = o richie. £. { 11. The World is Rarely Silent (and when it is, be wary) (D) rensive J Sart vie — = 4 -a-pa ad © 2 ye 6 & _—_—— ; ——————| © 90-84 oe 46-91 PP —— space left blank to assist page turns| 121 7 rit, n be er, 113 iv. —~ = =s 8 fe sorde, } {e 4) (E) More Motion d =60 Ss te PP Vv arco n ial Symphony No. 3- Violin I - (pg. 4/18) , Symphony No. 3- sul # Violin I - (pg. 5/18) 4 127-130 ——— 2 p—— n Vv = , > — at = t+ i Nk rt nrit. pit 138 is No § be. a =~ Van unis B oy ED wr be ott Vs So ™p accel. rit. G] More Motion J =60 von 2 n el fee — af eH F i } t = == — 5 z t t re < = aS m~p—————$ —_—_—_———_ f ———— mf n linger... nO) v 0; ‘Noe gs 7) 2 ef sie if $e ™p (H] Romantically J=64 molto rit. a tempo n te eS Ct - as re Y _—S a vere e ¢ f fe ete e # F = Cease aie Se ee a AS+4 co) St sda 9 . Vv za q n v Vv nmolto rit. - = . \ “— S SeS O ge ete F ft e | | t bp Pe Kee triseee & te aa 6 —: = ) 3 3 L3—I of SN _ wv [1] Slightly Slower J=62 n n 4 — + is) Se s ae — — > 159-161 P 163-166 Symphony No. 3- Violin I - (pg. 6/18) ne Vem nm vig v 6 Zap to? p rary Vv = * 46> _ Vr ==—- z= t = tt S| . mp —$—$——_———__ mf n " N ia) a n po ee ek t — 7 # t — = ss = L f —————— vv WV rit. accel. v ve —~ on a 175 my YOR LS Os Zee Fe te fs = te [— o ¥ he — So — set ——- Z C3) T i“ Vv (K] « tempo = = 0 v Vv -_ 2 me f t tee St de Sp ee Se ee et ¢ z == = f ww = vy RY = eaeapeaen sot a $ © OY Ss jizz. oF te 2 7 Ags He 2 $; xe ———— f ——————— eo 184-190 f 3 192-. a —_—__—_—— = L} % a a. rt t) OF a Dn lor an oY, ie n sda a t, 2ree P . ~ e ete Vv eff pte # fe y tt ga —sy = mf ————— f a a eae fa us { g vi becel More Motion J =76 n rf v4 2 : ef e # £ ae 2f a = =——o oF i t : = t 4 mM ‘ a v 201 y - fe eo ft a ors e © f e« #f § E = _ ££ ef 2 #F ee ee ry) T T —_— T T T — Symphony No. 3- Violin I - (pg. 7/18) Ay unis, v , . 7 “> ‘ad ra J : ef fe €2 ff t¢ -¢ ¢ f § £ ¢_ eee Siac “et t a al : Oe ) 4 OO) @ 3 ' n n zy = fn £ E Q. o Bz id e. eo = = i 3 a f eo oe — ev | —_ n for pre me rit. n Vn y Slowly J =56 sul aa ee ee Ce ——=—= z= ero ———— ry) T T T T Lo oe mf . rall. ; 1 ow 2 ; oe 214-217 3 219-220 Oe) Pp ye? ” yd III. The End of All Things Allegro J=144 &+3)4 4 13 pizz. 6I ——— f = x ‘ F rs t = | é é @ oe oe [4.84]-| Pp 7, 7 \ nn Vv n n T —— —— oO =A mf — ae - , S ie v [A] @ tempo 28 la la n Vv n A Pe Es ry) Sf VS. Symphony No. 3- Violin I - (pg. 8/18) Vv y 3 (OM 2m 3 ————— ———= e 7 —j— ae PL a eee >. FFE ¢ 2 « # F £ @ fee = eed e T a —— n N a - ba be Pa am, be be 2 >> > % >> > 7a eee 3 ef ” Be 4 — 3 =, “s bx n n 3 7%. < Re = = = > V a be \ 4 ——= 2 ee a as . — eo QS . = —_ pas? 5: Nv 1 ; a ele e— ~—# b @ b ft eo © 3 3 ! 3 3 3 5 3 7 2 © 2 6 we 3 4! v Os ¥ Some U2 ot =—=—=—_ _ o> bere Phebe @he >» «ms coy eae =—S—— 3 3 3 5 =e 8) v Ee nS 6 on b Vay 5 > bee 2 0) bole t ¥ oo t <3 _— i = 3 3 7 n V nN 58 ——_ be » ea 2 bee — AEE tm t Tt == — i os 3 —s ‘ 3 3 ior ut {C] More Frantic dk =152 \ 2 i T om L = a x —" x af} ce ry _ n n tS i F] / n * > =? > > {> > he te i ~ post a ee oe ee oe ee eo t A | t a t i t t - Violin I - (pg. 9/18) y No. 3: Symphon ) \ Wook exise) > nell ae > 4! >Ae a al aay a che K el « a] fi “| ca e Nell ll tt a : Hl) che al : 4 =i 86 wo 131 A Tt — A II |> 5 i. < & ve 123 4 2 a 120 eo st te Bi — SS i a” > te 14 —3—_ > wes ¢ a 110 a3 4 ~ behe VI 101 4yio? Symphony No. 3- Violin I - (pg. 10/18) (1) 7 t 5 Sanaa oa 5 Ss ae VAN ae s = (gt 11 °8d) - ; uot, -¢ “ON Auoydurds | \, f A ( & € € ———— ; = Stas eee che Le ESET apse ches LD =7 0) uo yet) a (81/z1 3d) ~ 7 uyor,a -¢ ‘ON Kuoydukg Symphony No. 3- Violin I - (pg. 13/18) q n n 7 ie 2 3 - eff F £ = ———4 = £ ——— “s pa — BNI" 4 = T e 2 e b - vO mf _ 195 rall. r 4 int 2 - Z—— ————— z —=——$—_ 5 — - \ Pp . VE ool IV. and yet we m in again br Pensive ¢=72 ArSx o +1 v q v i" Or ge oe Q e~~—_—_—__—".—- 16 Tides a n Vv n tw Vv n ae 6B 2 a eS =e —= = ae : 2 mf mp space left blank to assist page turns} VS. Symphony No. 3- Violin I - (pg. 14/18) accel. y [A] tuscious Broadly J=76 " . t J 2 —— , + | i T ed mf 0 v pp r - V by aa +f = -e t i y n Vv n — a N. 7 >| J) AY 35 7 o a = = pee gy TG AG f = | f 2 oF 1 T ro Nf n n as x v n v 39 . v o 2 m oo‘N Bassi E 3) cubdivde YES Vv ao (' v n ’ - n a y >, - _—— & == = = —— ry) 2 a, vd AN | v n 7 n v 47 - ny 2 = DI T —a ‘or T ty of Da t t hee Fe a) n v a Ps os v. @) y >——~ =, > a o @ e é a Foe If VS, Symphony No. 3- Violin I - (pg. 15/18) v Spirited d= 152 n —— *F Y 5 nv v q ia] nv | t= nan z{4 z an = +f ees ev | | v — t — ¢ " ft x hn ; : = —— = == e T T — 60 n t n nov ; a : Si ‘ : “ a (Oma a, x z -—_o—— a SSS SS oT Vv n nv nv VnvVvony © ¥on wv j. — : = = S45 ->R —_, —————— Se ee ee ee ee Se eo : fl + a n 76 ny fr v ra —_ y i 1 i : 3 ry) Symphony No. 3- Violin I - (pg. 16/18) 3 Same B 4 a 4 1 » e tzaseeese T ry Jute ba M Lusci half prior t = a 7 a a oS ; >. n A Luscious ( a Prior empo) Y 2 ef 2# S CA 3 Ve | 12 fa 2 “% Sia 5 = 5 eo SS — 4 Lf —— ff it. <—— Ito rit. rn ae a tempo a’ me ‘0 ri (E] 4 te po . 94 a — @ E 2 . oo 5 fF f 7 + ge Ee ————— == a ——- e i | Vv n ee SN # t= ! ry) 104 Vv ——— : «2 f f = ===. ———— 4 = Om | i mf ma, . " v n Y= Vv it : g v im a. a— tL —_ rex eo = 6 g == === ry) ' LJ — ——— —_—_ gece v__ [EF] Slightly faster than before J=78 , 116 n n Vv h == 4 - I. P iG o t 2 eo | i mf n Vv mn v pit , wes ee a f ra — t eo s } t Symphony No. 3- Violin I~ (pg. 17/18) a ) Q» J v 1 all RQ —, 7 v n Vv _fa+— i Lf ft f ——- = = 7 a a @ Sa mA n Vv n Vv 1 : imi ee? =) ro oo a we ower 3 oO here eee ee” Spirited o=152 n n v a > ALA 4 2 | t > ~ + £ f—f = f —£ E 4 e v \ T If | 134 og v v v . A > A_A - A_A ALA > ALA A_A A_A AA rs rs L yd asst t +—t t t t : o— — — — — — — SR v n NS Luscious, Broadly d =76 138 v n = v n Vv 6 - = yet, 5 4 ——— = = Si +— t o— —_3—— 4 = ~ NS xu V Vv n v n n 1 L— i> a Si t i =f t mead ne i n rit. wm Nn m7 Ft oN _— + fi—e Ty o ci x oH — =—— = Symphony No. 3- Violin I - (pg. 18/18) v yee (1) Heroically d 372 n a “2 unis. @ = t pn un nov v n a —_— “2 2 2 ee « 2 oN # >» (e f aw = i—F f y | fe x “e i = ——————— _ n ae 158 Y a a = e < 2 e tf sudam 2 —— delay dec/esc 3 v stay GH _ Pensive ¢ = 50 Vv n a! cC$reorerrrrs™” 2, 2 eo 2 3 w a. —— 6 ¥ 3 ™p PP v n \ A 168 Ss S cy