Violin I Symphony No. 3 Brooke Pierson (ASCAP) for Adam Riccinto and theYpsilanti Symphony Orchestra I. Prologue vd D Brooding d =50 5 it. da Vu n v n ot 3 14 i ws 8 ‘| be “fe. 2 a PS Lous 2 os ease es reese or = E = = x : f 1-3 6 6 6 6 St mp Vv More Motion ¢=68 rit. & Slower Again J=50 arco ° 0% pizz. 2 div. [ ————— 2 ; | asst ¥ bote zs : t C3) ¢ 8-9 = mf 1 _—__n nN 7 mm Vv unis, fey ibe: 0) Tbe ws an a ou? 2 — - si === == ~ i | , f = wf 6 6 6 6 a ‘ - molto riti jy G ? ee Saleen hae ee bee ja 7 jude oe Hee Broadly d= 78 S f A = 4 oF oe e b@ be gm Te KS a fe T = a D = Ds fs ry v f Z oO Y = Lf 7 div. n a 0 y. —— oe @ fF, | = - ££ #@ #@ 8 = 3 A 4 4 3 = 4 _—_ Slightly Slower = 62 unis. V, iy a ie, p J Lac = im) ~ ae eq ° iS Ne) = y 3 ®e yt Mm 4, War e a \ 25 es 2 4 Ae sighs wie aye n ; — ==. 3) z “Oa s ry Ws zy] Ava ETA) s 2 I Copyright © 2024 Taurus Music Publishing. All Rights Reserved www.brookepierson.com Symphony No. 3- Violin T- (pg. 2/18) accel. rit. {B] a tempo 33 7 = = — ees @ 354 a accel. rit. a tempo A y 7 d mn, # ere to = - - = e 49 ON n N mn v n p 4 tema! n fs —— == bo — |p — Po fo ry) wis +t = up —— af n — rit, 0 54 —, . ¥ a . p55 2 «eek, ¢ ft * ,.~ ——<——— =—t ? — os - ais — f t—} ete i t oe ‘ ~ 56-57 Lara al t ——_—____ S ——~ von Vv q Ni Heroically d=72 o~ aa had n ae) on > > = — unis, @ | L ee oe ee ree — + t 3 t z _) SS pe, a eS v 2 ——— “. eo 2 FN Ce a a Yf- =" —f. o t i — — I ! 4 © n S . r rit. Vv! a _ Keroically d= 72 6) (0) }2- « a — ee ' oe fF ica 2 @. e* eet XK = = = ry by i o It Symphony No. 3- Violin I - (pg. 3/18) n n linger... a tempo J=72 rit. = = —~ > ——o—[ 2 2 2 2 3 a ia > > N a" 5 ne =) So = {+--+ 4 IL. The World is Rarely Silent (and when it is, be wary) 0) Poche” Sans vib. Pensive « = 50 pores ~4-), it v 2) = 2 5° 6 iG ———————t Z — C3) pp 4 30-84 2 86-91 Pp walk gua k space left blank to assist page turns} Symphony No. 3- Violin I - (pg. 4/18) ~\ x 5 y Vv wr ee : 4 arco nov n _ ry SO —— x Rs = e 93.96 ad ee S mp ——— mf’ ASS = J (for pez) Sul A 100 v , fo] 0 123 n Vv a »! d pize. & : = { : Y beet = = a tas bse ne @ — 2 te a Wo oe VS” 2? ——————__—_ nf —— Pp ——————— suwde i (ee) {E] More Motion J=60 105 A v n v n = arco v n p ‘ fee == 4 rd 2 4 e = ee 4 mf p | ——____ v soo mn dv. = TN bs unis, A diy, a ¥ a e i ‘ oe ee RA by ————— z Pf ek = 4 { ee ore. St ! } \Y € sar ——_— _ 2f n 13, av " @ " >. Ge pe hg tT T tT } t if t oF Se a Om T I NF Led I t I T | St mf St rit. n (F] a tempo Vv A us > os n unis, n 4 p be | be 2 | N ‘eo £0 — Fo ee oe T 1 T | te # > te Za = Pe = > _ IS 121 " — oon vo Qn N n v a ¥ o aig Sere Se \oe =—-—— _ af Symphony No. 3- Violin I - (pg. 5/18) ; “ wt ae ut 4 a a —t—» 4 arco c= —g om a i —— e ca — = 127-130 oO ~Y ——— Nd Pp— N Oo y Vat diy n Vv 4 3 1 Pete. NOD = + t 1 vf cc —_ — ——_= a e 132-134 T if yy nf q = Nrit. —— \ n 138 unis. (en ee Oe ea ee ee SS % i ott —S o mp ¥ as accel - LG] More Motion #=60 : he 43 TO ne ago =—Se x e So 2=—p—————__——_ f— J mf VN . n p linger... , a7 g (3 UN 1 Gg i) fF @et eo fe it lo Ce 8 tte te Pa Fe Zp, == 4 = “F — Sj = mp {H) Romantically J =64 molto rit. a tempo n —— “n VS 2 - A fe v mm oy pn -ate pete fe wre e © F F ieee St ate Se ee Ke +—f t ¥ 7 i =) St Sey bw 9 . Vv oO) q fal v a Vv hmolto rit. - o o \ “ea »> “of aan 1 ete ee # FE f ea | | te i feet ee Pp civoee f te e © = = S o 3 3 3— yes of Ne a G) Slightly Slower 2=62 A n a 3 n = 4 - =G) = ——S ee ———— OD) — ! 159-161 163-166 Pp — iy Symphony No. 3- Violin I - (pg. 6/18) n Vow (J) n y v v Ie ara o > —_—s i, oS —S n @\ ,7« te > _- 2 te 12 of & pf ee 4 i" # Ht BEG: = = rHeh nN v (K] a tempo = in v —~ £ 79 o- o A _—— - o mf £ cf ite e ct fie ce ee sie e tf x i 4 = iG) S © » v »’ Moré Metion J=68 Ky ot Nee oF ts 3 7 A ABS — 2 to ————————— eo 184-190 3 192-193 —_—_—_— mf’ v L}] o 9 7 i OO) @ p n see . 1s, ar een ete TE a. te oo ed bus os = A 5 po aa ve a Bi e r= 3 mf——————_ f it uv 3} wii Q vi accel. More Motion d =76 ow £Y Lttee 2 7 a io- = = ee Ce S=s = Sa — ——_— = ) ) d He anh JE) inl it TT) tieto in) He im) He | “OS I ih Symphony No. 3- Violin I - (pg. 7/18) Vv n y tnis. div. 7 3 L t on © -e 2. o v z ye pp eee Pep, PE fee 6 —— i= 2 pt e ! T T ty , OO) @3s, , a Boo. rr ia) Z Q. 7 eo ye EEE € ¢ ¢ +6 £6 ————— = ———2 eo] t n for ps rit Slowly J=56 gut k ES 210 ft £ N unis, NT] f ts f ff ¢ VON eN i te ow : fs, of oe lf = — a ——— {—t t+4— e t i i) T v — oe mf rall. a A Whee 2 ~ oe > = —— ——— z = ro) 214-217 eo 219-220 > —_—_— eh? P Y yw V a III. The End of All Things Allegro d=144 0 79/4 44 b 13 pizz. ths ; ——— 3 oe 2 pe o o 5 oe [2.54)-| > v nn 17 v mn 7 arco n —t — © =i a“ ———— as abe bo i ey mf’ S n rit. v [A] a tempo * ny be “hk " v n ————— = i —— = = — r) Sf Symphony No. 3- Violin I - (pg, 8/18) X\ Vv ' . ad ad v 3m ot 3 $ T f i re: 0 —— z= f EG = —— = eo a eT a Bey St 2 qi 38 N a e # —, )V~ Q. o — «~~». - FE # e ef Er fF f f ¢2 —-__* y f —— = 3 == 3 sy 4 — 4 EE SS pat be > ytfte pg Bee > Re = 3 ZZ 3 — v3 Ss = —4" +4 f 9) 1 t sad . aa E42 > = & _ v d2 be v -\ £ ° —— ees of : = a { t 3 a 3 oo syat_ LC) More Frantic d= 152-156 : Vee P, __“ilinle ¢ ‘ ne ~ oe TelVvs ut d. ; : i Symphony No. 3- Violin I - (pg. 9/18) 3 ase [D] not 207 agrees"? = 2 Vv aw 3 V aw 3 V : —_—_— — ; — et ui e ees rl tes oe eget Ss > oe We > > WAS BV 7 n vv Y Nv @ vv" AA ms > > Oo) Ey a jeer } = = — = by = : > ae a ee ee v> a, ra > > = Ss i Cj > — 3 n V ¥ v x 2) i) n g > ee = 0. ; > vA > > > “pen wen go, be Ne phe 2 ee & Be 3 be $ x Che -—+—f soa +—t ft — =—# s : e — ® @ » 3 xe Y @ivy¥n vy aa ae ae ee ee er _ : : —————, Ses ee el —* = =f AS: + i t t t OS) > 4 MO ws 41 1V v { ty - 7 ) be A \ as NbN oan a Oye > a A ALA Ef bee # eter be e fferr Fy ——s —— = e 3 3 n Vv Mo ; 12 7 A 3 2 4 89 } p= f— = f 4 a —— ee ee eee ass T i i —t i t o t — - - Vl : an) ye a v : > a e "o 0 es Oe a Spo eS eo as oN 1 = 2 4, a ' eae tee tee [* i i im et see - 3 3 # 3 s(n 3 n 3 9 Os =F ~3 —=—" ae bi rhe 2 wbele = Oy be at 02s : of ee ieee 7 Alo) LE es 5 L » OQ tmnt te b= Lb a “yoke # tet che te * 2 aise rere f ry los five eretete fi t t t t = ——_— e —_ [ 3 a 3 3 3 2) Ve < 14 lg z t n > e. t 1 — x 120, ™N 3 7 — + t TH 123 te a) te ¢ “- ) 127 Nn f ¥Y T z t a e $ 131 = v t ry T SPs = P z t i St SN te > TeV Ny pero? Symphony No. 3- Violin I - (pg. 10/18) sow yt ola L te eee y— 5 o Vv Z = n —3—, x + 3b. = i x rs int A 5 3 a = NL nov > ; > + oe + x r 2 v A A> tr — = £ | —as — 4 n = 1 me: fal 5 go ba tao t he Fi n A —— v A > Pa * N + a t t pv shy — n 2. VI Symphony No. 3- Violin I - (pg. 11/18) Gn d Ay CIA = be et oe et be ee 1 Ke fis SSlS= SS= 2 Ses 3 L3) mf ® i A ty =p tg be — = t > — = 2 te = aS) , jo Ca: bas ———— e x oo SS fe = ~S oLe w =i, 3 & v ° von _ 21 —) : z tor bee wie tetetataete ie fone rete A haces — i age geo" 7 ———— : 4 a 22 OO) 4 qa ee aes ig If | £ € é € £ € € € - = = Cl Sta Sle OS il EO Sp cree im aoa u «Fw _— u 44 - “hy vt fon >A (, elt a we >A el Spa ays = EES Spee tee iviere ef “Petia ' e eu aL £ a ¢ du yo J sroae pe panteqeta Pahl oh eget» eae =t Lskeceie *9¢ ego eetinapie rot begets as za a sue e 7 € IN £ € U m (81/71 Bd) - 1 uyjora -€ “ON Auoyduacs ox ox Symphony No. 3- Violin I - (pg. 13/18) a n n y v mee? 3 | ll = {= = 4 oe x ===: 2 t n Slowly J=56 @) "ya Y v a u 6 i t se e ba e De > cello mf — 4+ | 195 rall. po _& 4 in 2 x > = Ys te — —=" —$—$ = 4 . s —_—_—_— " , Pp VE aon? IV. and yet we mi in again 3 e Pensive J =72 ArSx* o +1 v pa Vv n v 4 16 viding 2 ° pp = pp— = pp ¥ n ewe Vv == = a AS mf ———————_ mp VS. space left blank to assist page turns} Symphony No, b- Violin F > (py 14/54) accel. {A J Luscious, Broadly d= 16 v J wm so? go 0 —~ hoe eg fw og = . == SS eet o culuirde CS a? v n ” nv n es ig | ut ith ui oe | ay ny c =] if | ie | wee 7 3 oe 4 Symphony No. 3- Violin I - (pg. 15/18) v YY Spirited 2 = 152 Ny oa . y Q n . z= h A z_| 1 Zz ALA —: 10——, Symphony No. 3- Violin I - (pg. 16/18) ae Yq (3) é 3 Same a) ry > e eo 2 e eof Fe f m a. Oo Le oF fee tte e bette tei Cert E == “I = i: ae Pp oO) a v n y n N) Luscious (half prior tempo) J=76 = > 7 Vv v > 2. 3 Oz te (pp 2 \ns es v0 : ee {— f— o = = — ee eee ee SS Ss — Cy) XN If —— fF rit, <—— a tempo molto rit. t n v re vw iP ae a ow [EJatg po oe . 2 0) Zz (atl 2 oN pag eg Eg FE ge Pg Se See ae ee —— Vv n a is, 7 ft = an 1 p we * Zz ° oes t t t Se t i Vv n “92 2 a 2 : o.= =a eee mf aA Vv ios v = = aS Y= Vv n matey x yw =? 2 — en BG: 3 oe | 1 4 ? = f—t LI — ——— SS gecel 7] Slightly faster than before J=78 116 n n Vv a = a - b p- ia t e i ' mf Vv a Vv n 120 —— v _ fe eo oN =? i E ) Symphony No. 3- Violin I - (pg. 17/18) ws 9 Vv Vv ” ney . oe — . e pf —_ n v le 2 ° . = a SS e ee so mn vi n NI n v 1 SY S 5 == == v eet? 2 SSse= Rirerrcerre sare “9 diceveze ae ma aprios nate be or Ne @ ‘ + => a, a ay diMheren ALA A? t > ALA A_A AA > z £ fa * 2 a £ lad iad £ a os ff f* *| s as 7 +—t t <——t <——t ——— | } = — 184g v v v 6. = ALA > > A_A A_A AA > AA AA A_A A_A fe * ree ee =o eee 3) — oT — ° — — — — — Soy gm n WSS Luscious, Broadly d =76 138 € _ v v j—— 5 8 5 — ee =« o— —3—— = = ~ Ne xu we V v a ¥— n o- Mi, n —_—. of e Z ce a Vv L——. os i rit. a v nr ———— a = — Symphony No. 3- Violin I - (pg. 18/18) N n Vv C7 (1) Heroically J =72 150 Oe f P s a B ani ae 2 £ t ———— — 2 { { i i + . + + + OM I If nov vi n v aS ‘ “2 cal eeee 2 oN 2 f\ CF ee re 2 | t + | a ey + + { ‘ “fe 9) —_— Vv n CS no sp 2 - £ e é = Sf = = = mis oy) t sudan 2 Se delay dec/tSeg vo stay UH R ; Pensive d=50 Vv n 12 a ans gee eee p= e 2 3 eo 2 ley — ——=_ 5 f 4 & 4 4 ™p 2s v nit 168 2s 2s $