An der schonen blauen Donau
. Walzer ace aes Straus, 34 314
gab yt, a
eee,
: a 2 a
Lar di Valse Vales a PP @) nN V nN Same nM
i p AX eres. je pe i ‘ i a ; ae fi
2 et a => fore eng Pee ee n -
<==Sac= Aaa arescer ies
Se Pp aoe ee
4 m e Vv wy Vv ie op ore sol | : o
; spe reiitas SNe Sat eae ; Yen
1 Walzer Ns ee ae V
~ V aie i ; (ee? Nas ‘ge
ey ejeteH == Si=rinin =e aus
Ee
- Tae J 2 siete 1 Ee 9 Sa,
y # @ () “Qo 2 e (1) @ re r)
eSe ab Seesusr see raisizazaee Piha:
ed ¢ e - a —— I —_ :
Vv n (2 2 fem oR 2 Pity ery : ne
Be cenit peptPeel OPT ert Pree
ETT
> a, n a a ee BE a] al
Pr 2» e 5A et 2 @ 2} on & now
4% Otte Ppl Pare P ely ee aaa atearae
f DE htisie erp Pe v ee
pa Ne ee ae 2s *
ae Brae tos eee Seen eee eee )
- ; e |2.*) J
os - ir ., Fine
3 e 8 f 2 Bg x
é E ete — ¥ |. art | | Beye =

*) Bei Mitwirkung des Chors fallen 2° und Dal Segno weg

scan ver. hrs1.0




P
ee ae Ue a Se Sa Sa Vv 7.
—# eae fyees
fe la lalate slate Seeger
4 i # ' Foie: c& £2. eo. a ie 57m, Wa
(aoe By ee ee f oe af $F |
Ne Ee ee ee s
(aot SS =a ease aS
ord PP D.S. al Fine
Nr 3 ee n er ie i oe
- : — to Ks :
OU Es et Hag lode
ae v n > = n Mm JV

4 a N 4 ae (4 OMEE [2% *) & Fine
aso y fe agg woe ag rereis i ch
oe i. p DS.
Nr. a Walzer PGES, scosusa eo a
Kingang y & yee << div. a V
= f nl ; & : >
(ae aoa aasteo aa leg 88s] & |g 8
a te. ict Voll 4 Pp 0 ear ee
— Pile f) Ny) Fey vV — > 4 : VV n
Ay = : F
é feist E a2 | b et # O18 ew ——— Sy
——_ eo \ \ Nn Pn s X ork p*
tee ele eee as oe
o «@ : Lae a 12 gz — he rt o\2: - . » #
é 4-8 3 Le 2 ai8 ra L £ { er . a E |
ti 1 Vv om a ~~ oa Coe a at
nv ! 4.
@ pata ei sia a s .: be ce bas feo : ‘eh, [aee,” Wie
6 ; == | Sa zizeiaet
**) Bei Mitwirkung des Chors fallen 248 und Dal Segno weg Ed PDS.



Violine I

Nr. J
Fingang m Vin lS
4 Ig
pare ve Waleer gM
pelpues
2 o> = ae (4.6
ro ae Pe
fal me ia af

n y ee
ans, e . gil
feer + : av &

HE SORES win Sees Se SE ae

tf P DS. folgt Coda Il
ie tt e : : y bogs
6% op : ae a i

Le a zs Z tg z aie Tat ees = rick
gees

es ge ee en ee

N iy VW al : ae ~\ i
pei tierebttph bitte htgee tht




et rae rev Za) Za) SCs

ELE ass SEP eS ieesecee

Sree reser i= aS Sea

‘AT
[ GUuT[OTA. os ©




Unter Donner und Blitz

1. Violinen

Johann Strauss II

Op. 324

yee
|
az
3) Pee
goull
milly
)
ca
a
Qi:
a
ON
Pi
mn
>
a
c lech
=
®
cae
>'9 TaN Q
we OL
Ce
}
Ay Gast
ae

y

3

iz ee
ie;

mt hi
1 oo)
* *
aH = y
stil
Ll &
mullly ‘ > lern
ea
HN) cn.
en > We a &
c ae ae |
a4 we!
a4 aH
: il q
Ue aH 4
Outs saslll oe |
a @
ei mS in
- ai
A a | My ;
L ] (*
a (3
( ra |
c u) SS) 4
a pe sa a pe va ed
cK SNP

12.

3
2 y coomal
&
T 5
ce ‘ N
.
a
et
li Pet
aul
EY mae
q | q
a 4!
% SH eed
<3} a@ |
q ~ eo
$ ea |
will
c  /OOll gk
a
an
3a > ©
om | | ae
ti
aH Bo
Bin?
R
= qt
- a} ek
aH sd
ie
sa [SES
Evi va aye

soe:
aH
tm ous”
> Tr
ith :
: [pe
Ty) it
a
\
alt) ;
c|| Hts, )
uy
®
iP c Te
c @eleNn 7
ae p
aX I ry
ey ify
= 4
as
(fy ith
Oe te
y
3 5
2 TNH



1. Violinen

78

L

at mall tnane Y
| yal WwW
A'el |] ( q
oe ee iil
= ©) ty
| "i 7
© a3 ag sy rane
ant
by (D5 iim 4,
P am as + Pl
a a. ane
ei~ (¢ Hie
cA el eN|| fo BAe
AW a ‘ KG
ae : | ac Ol
[ % oe ) A q@ ea
( e ASN = a
a
4 a ~ aN
© | 1S Ar |
~ . ah "Wee eee
s CC at = <p i ah
ae & i “\ a
a 2 a SN | CS =) Pane.
B Nl — wate oh
) a,
c tte Fay] ATOLL A
a > Ny . a xs [|
ee! { 7
ou * @fN
fl Ta A) > HTL
a
1m os nh
8 en = pT « ane

>

oe

cs

eS
S au
a >the =>
(lll | PINT
=I |
a | aed 5 Ane
= WH 3H
“Tape, c alleles
Sli 7 ERTS
Se
Scliisies, ny
. | ae ae.
5 > @ %
alll
. q 4
( 4
ui 3
Gye] bid ill
aa 3H = g
A ah *< alll
q
( |
9 > |
3 > @ |
® a
&
|
~[||| aN ae
hy ra
a
Ri 3
PnGe sc




Peter Ilyich Tchaikovsky
Romeo and Juliet, Fantasy Overture
Violinol.

Andante non tanto quasi Moderato. 9
et 13 Veet aoe eee
a ae L gees Ss iS:
gy A pizz. ena

Ie
al

Sa
oe Bavaee.
Z. os
P : —

: Ze a? . :

cy n ¢ ee EG
arco ~~ > emit, 2 BL - poco erese.
g >
Ge —e fe ae fa = SEs ze
is al Pp — y n\
Ini Yn TV ee V now POs,
aie) 4 = = \ us, eta = = et es &

a ee ee rE

Lea fo ee mee P SEPP
Lye a sae string. , £
SSE Sate SEeeesterrate ssa
Allegro. big ; ihe a
,2 Key ao ae a Molto meno mosso. V/ A 1
(eee eee ee eae pies Se ——
Ae Vf aro ee
v C4 ; ica 8
_pp n { ( \Oytringe ndo 4. - 4 ce i -
eS ee ee es ee es ee SE
re ae ye (TES. 4

Nn
: ae ae
one

—_—_—




C 4055 Sty i 4 Ov *
Tchaikovsky — Romeo and Juliet
Violino I.

J Sct ; .
a Cc
on xin SAE ES eat ; — —a = yt. ST x
i "a ths: ar ee eee ee =
Ta + iA @ ge rrr’ a Pei giist tee, TrR.44.4 POO We').24.4 =
Se ee ed ae ek ne eran ees

, J hes
== = eet

poe CrUse, i
(") N/ hy me e
6 eg = rm oar t ie . s =

i # Ane rae tt sine
Al Bul TT ener —— —-——.——-—
of, VS 0 ae A RA a : 28 OS ee
SAM ARES, ee SR em ges eh SE al — —_——~ ~s_— —

Pa) (4) a) rat
y } f,’
r ee,’ Q)

2 Facet ‘e- pan _ : ud
ot Onsite, an one

ae Se ese mrs 1.AB er —__ ae
— ~~ 8-— “mae aes ee D,




Tchaikovsky — Romeo and Juliet a)

Violinol. L ef
al) gi, 4 (3) ) * Pete A 5
) in 1) ae 8 son ee ee ) =
aes V3 oz
ae : +
ee ) ans Hea wanes I | —
ee ans eo Woe 2 Ui an @) ee oe far wes
Part Dae ttees DE Raa a a ED eam} a ae
0 VT Yo ae eaiigiee Ae gyri can Yai ni
ee 8 tel le ¥ s2re Xe £3 e
so ik —_-s : ae
7 + = i =
etd bali 5 Cg nf
a) Vv ‘al p
| WEIS \
rie tee te SeSses
ae *
ge Nae a a 4 2

: a oy n




Tchaikovsky — Romeo and Juliet

4
iolinol.
K V 4 @) (\)
, } - vA )
senza sord. ‘) i) \ Cee. ww) Mn V .
P Frese. - a : /




Tchaikovsky — Romeo and Juliet

Violinol.

5

sat oon
ae Ze
ey a Yr. fe idg
| Lo
i 4
H

i oe 2
———j— — = =
Saas #

2 +




Tchaikovsky — Romeo and Juliet

0 ieee etree I. 2s () N
J : i ° 0)
combat tibet
eastettiecet fF = Zoe FE 2e
i ——— ss —— — ry =.
V aM Lo ay ORE 2) TMG OY
(\ () 1\ 43 ’
eke os ‘ € Gee ett 2) Cz eats x
(2 ae ee eee =
yi 43 4 tees ae:
P oD) ote fie: 4 0€ nN / ay
| ee
© Oeste eter e? Cetseze
oS, re ee
ra saa , < J v 4 c ,
A Vv ; oe
a seer
3 n ‘ a f 2 4 ; Q , 3 :
. Ree aes) ee
mE. } 4 Hee a F ae.
al f 4 I J } oF r Sie y
ee eee fetter
ee poco 77
P ae 1 4, 4 j
aa 3
poco ORE je nae ataattie
V 4, N Q mes
= ; eee: :
pe Ui a 3.5 2 Me Py Se y ————
ery re ge Pere ae
Qos gusbate PELE FE E fr #282 fe
6G? = Se =
- f- 4 “|
aon ae \}
oN oP ae ee eg
(ieee eee




Tchaikovsky — Romeo and Juliet
Violino I. n v
[\ . 2 De,

Sef anenes: eases eee
SSesnfclotaaenaannasnee

a oe tea es at Pa

Fa ae AEN ao




wl! 0
ent hy ty! II (eu dT]
2 ori) ) git 74 “i AML! < We] ce
\% : i) sane ‘ Sl ( Hh heceaa ts wlal bt
a\s LT ALL a MY | gird i = HHH by
\" @)/ | Sith q, elit, ait : = b Nari ce
ay at : “e i “ { wy see + “Ul c aaue a
~ aa lt ~¢ i “a (we Kei Fy ‘| : $1 c “a
% it : Ae y ‘* % >\a
aw ( elli{|, gue a We HHH \” ett
sil) KE eect iat a] arin at ' , Stoel « mn
SSH) git] St BHM ein gid) ER TR ouulll« <sh
cd nl) > oF Se se wn] > Sa ies Saag eal ae
a sai PE eg cM cull oe Ma
E et : So Lat an nit rt ay
= ea — til @) e. 4! S : : |
= Set a Ts a % sl arit
= Cs ah bee Ae) c n aeee q.
a : itt ke ‘
So aa ey s wi HILLS. BLL I
= Oo Mt css ae ASL saa ° te)
= te. \ +A ent N > rye 11 > Oh = 1» [
7 Ss is & Ne c S ia ra , a
A =| =
Lae Wit AIS AGL wi - 4 = yerbeae
Zz ASL | $ 3 : iil on LL li ) [
RN th ys ix 1 L
fda tH td gt] a) Ry CU
a Js qt . a @liagey Te 411
= < ~ tt : e| @l 1 _ | ~> TTT =
fh — oth i! @et Peirili sal 4 Re all Hi) se
> riitt > e11 — 4 el <0 ne 3 | | ~ = ai
= ao et e Tl oly ON hou mI Sis ipa aHt
“ESTA, AA “I Si | el. 4 = et
«AX |
ania t retee 2 Se a S
SIU Pye @
e114 ey } >
q} ;
SNe