| | a poco rite: a t r t n ( ne 45 oD NS ca mo c el c~) o >s one Bs “oa 3 —_ o| « 4 q iS ry) ‘ S ha eo ' ar § ; ST SF Qt 8 t : 8 Tr/ | | ve ay He’ 4 (' i , 1 i 7 <@ = f om Fx 1 i~y cS S E i > in Te is t> Z Nias iy te te iy - ty ers ? MN TR 5) m% © |] - Cc Ti, $ < aie Cl Y Hiaal i) s Cah. He \ 4 i\ : 2 U A 5 q C >§ ' 9 = Te ‘ Tf a) Hts! te\ Sag He ia re He | te bee Y * & Ih L -h ly) , te S > |r Hy — & Te { scr Te Te) < Pm) 2 ate se f- ssa te sempre staccato i FH it —p——F =e gS ? t + t a n dimin. \V p dolce ceguaimente) Listesso tempo 47 T eo _ —————e NE Vv 49 = it hd bd Te Te > | i) | + . Hee i He. & . 1 re § * hy re} |S ih TR TR, 1 y) iy i Lh L . e i at Le H 1d > ‘hd te Te iy he re” CNT Hh p TR :) + a % f et ¢ Noha 1 h }$ t ¢ —_ a F - - ms Ljstesso tempo 1) ial v iw the pitets Sos Hote te et = 2S | 5 os a a yoo : - - dim. - = 3 = - = smors. 70 dolciss. Vv { / 5 Saas Ss t v Nee Ne os Ny Va Ve i SF _ SF dive # *F A pepe pe ~ +++ cresc. - - a = ame S Yipee Pup A pple Ate F so oe cresc. poco rall. pizx. v sb Harfe ids jtet a Pes te eo - . - ptt cresc. - - - - 0 6 ae’ y =F pent Vai tage Phade ti ee re o poco rall. rit, . . = 20, VQ py F larfeypy Aphe fieate ta a b Sed ih Bee Mie 2 Pi a 5 ; em =< ——— == —— CY) <1 rp eS Oo fin. Allegro ma non tro No -yvst hanl 108 1 2 _ worry") oy Harfe pizz. n6, =o We =e ate ae gS Al 125 4 Liszt — Les Préludes rr. D24 Violips,| : oe a a3 —=—== eresc.e string. u 1 Allegro tempestuoso ere» Phebe » 129 d rs Peaster “hata HH SS SSS DSSS oe eS aati ge oe ° ad : = 133 = >. iene ==. eS (i a — — — wea Meese . 136 koem : - i £ et 2 Cee Te V = t 164 the = ibe 1+ Pep? 2. = e t re e f i— a — Sfe marcatiss. sempre ms gee pe te poco rallent.al 2 ul —_——— er omecer | ee he eee: ee Fee Liszt — Les Préludes . Violine I ; ; Un poco piu moderato Hob, H (loeay 37 de. - - . i 182 Hob, — A a a tempo an,ped oN Poca ra a d. d¢ P| & —————— = z Fa TS ——— aa 44 dolciss vy rit A e 195 a) I #1’ van Allegretto pastorgle . : a a a = 2 =e See = ESSE b- He oe oe eo! poco rall. > mica PP a -~ ce ~ V 208 ees + 9 per 2: 4 a eo pvp. al G con grasta Saws 7s == oa = x = E = = he =e eo é 7 sempre pp P scherzando ev a —_—£=£ — == —== n nl | we) r Vor, } |, vv dolce NV } ar N a a uw 0 \ 4 _—— a — Lisz t — Les Préludes UH Violine I o94 div. n ——— Poco a poca pil. di moto sino al Allegro marziale Slee e aaa Se ee ee eee a pp — pp Pe o- 2 Cy) | == (emondeet at _ dolce b fe Ph : : Yo z ree 299, ‘ F p grasioso ; ra ns as Qs As fas iva ca = Or « o pa a 2 5 te ele . . rid Eeggie eee ee oe 4 , : , — = == is 3 Lp tle-- E cate orn : - 9 we ase A petit Edietse, Pepto a, — = Fe ee eo c | —__———_rrese. ~ > = = = $e a » ure We - gta 4 eo. . 2g 2 = an tet Le et epic lE diet sa [Peet se, | o = cresc. . om = = n ; java a= Liszt — Les Préludes ftteea ow == = ett =e a tee ey paste Eete 282 speeetttt SP usfest Petal EAE Teeeee E's £6 Be op ores. - = = rinfors,malto ~~ ~ molto erese.™ - A ot, apsiele f eh ef wal R> °° +7 Py 5 * te — te - 372, f ¢ i wt EF b ‘¢ fF ft wie tei tf eet LPL E bette Om bp a a7, E 7 Shabe 92 tomds RE te dnd) ep: te eye te: s ra ee cima eg ae NL — rn @ n % sisi ¢ flee a» seit tote tities in : 415, AAT they fel = ia) Ty 44t 413. Vv Tey » Tey V They Th \ 407 Sempre stace. 6 ) == > befe £ Andante maestoso 400 395, 3 ; seinen © crese.molto - div. tygh tts. b Violine I ——— + Liszt — Les Préludes Act II Sinfonia Violin I (“Entrance of the Queen of Sheba”) from Solomon G.F. Handel mies Free fe se fece eco ft pee, ee " ~(@) [Se ee a. 2 : An Stet tee fie Ee eeaerererees Pate | i : It en el en Tht T Tt un poco piano =p PoP er a —— ef Vv aN at CS } bp- 2 © =I 4 (fae Sa eet See SoS eee eae Soe u —==| _ : io = t T — + === >> = = === === e yi (=== — —_ oe _ — — @ Pt —3_ OF» -ofese ry um / a T 5 === == <== “AS oe == Sele i= : Z. : ° ee On st pt ey ziaszze z= q : k; | Vy yw nn = eprtecereteeer =—— ay, vw DCAIICH OTICtdd Ma Vlast No. 2: The Moldau (Vltava) Die beiden Quellen der Moldau Violine I y * Allegro (a2 batt.) commodo. ) non agitato Vol = *2.Viol. IBZ. os = ae a f = — als So oe. SS =: = FLO > FLI aa > ——— FLI FLI - FLI . ; £ ba #2 7 a ee ai ones FE 5 e > > . ‘ ; = 4 ef af + 4 We ae el erases Stee See ares v7 ¥ V os > > = : > ~ > ; z= =< ge & 2a r=: BS Qe Sy bo ol ———— . a 1 of 1 (A) _ Sa sae Plu. Klar . = Viol 43% 425°43 455 Usk my aa Te ON yy 5 a 5 . — NN j—9 2 er £ fvocsemen 38 == i ¥ sgaeisir = Viol. 11 €—” ye Sed seay ‘pdolee rad ——P == dim. —= a ae a = ee #& af < #f o ; >< . 46 foes | f t +4 7 ¢- —¥ 74+ 7 ¥z + a =f p ———— > & —~ —~ geet # - ee, ae — Ty a 7 7 = , a1 65 id re t + y ot + =— mf crese. —== fF J = J ; ow ——ae - Aa —e~\ Be 8 ff: | »— —# — ‘-< t + 62 Z SE he 7H ==. o =f as ff crese. Sf Sr Viol. I == n _ ~2 a ‘s 2 he Y 2-2 rt mo rs > —S . 7 7 7. i } << 12% , 7 { 7 mmf —=zz=_—_ >of dim. —=_ s»-_—=———- _ p— *) Die mit * bezeichneten kleinen Noten werden nur dann mitgespielt, wenn die angegebenen Instrumente nicht besetzt sind. Violine I 3 ia cs é ‘ ih i - e of 7 ad é of —— T t =a ; Ft =e ; 3 “gee ie * o a t= ——" SG See ph — za. i _ Vv n eAP een, a Se f==stast tt { —— ‘ Tt } ae pou 8 oS et | ee go oe geggzc rr fs = of's —=—__ . 2 oe fe. ~~ 92 f#., atte Sohtat stas,> a Sa se Pg 29 P92 oe a a gusiepict Ere n> Gatabiban ss scaist stan a> 103 === —==—___ —===—__ _ pegs reser eee eee ee eee peg rer eres NS f. 'Z iz f | e ee te tee a ———r = Sak am e e Lie aft 2 : t + et 9 ar! fe — ee sempre dim. —¥- Pog a i = ; —— 2 ae ee ee Se el t zs Vis vie opis SEE. Bauernhochzeit Liistesso tempo,ma moderato ea <- £ a Ea - E “¢ Sa —— EN booger CELINE SRT SIRES 3 4 Violine I —— 5 7 > mw y Vv @ eee Se eS += => — o @ aeee aszaaes Serer —=££ == ——_ mm aes —~ —ay =~ a oe, NN ~~ Nov ee ek — ° cat ae dim. ——— Pp 2 = > vv oS “rer See ere ere —____ = P aS rs pee —h =a = “rast Vv “6 Beas Laat Sea pup f, # v V 163 eee : Mondschein; Nymphenreigen Liistesso tempo ObI ° = 181 Po Pe 4-4 y o ° = 5 ——== Ob I PP pp tranquillo Aalatsaimo —=: => Goctrreeseeeees Peter ee renter enc caeeeenne ene stceecens Pereeeiretieesseensessaeseeraeenaerereteeeeeeens pene fy, ta ‘ Pe n fe a , ts + S 191 fob res = a. 0 ae a 0 a: res it 7 A <4 RASA he D) = —_==—— = Qi t ee ceee renee er ecseessaeeeetaeees (yipprene 1 EER p concen .car coco ncooco eo ancacocceaccr ace eccooc bobs iF fe a, 7 a7 = <= =a ANS 7 ) —— =" —=: ==: = >> exeee cece eeacincnanshitectisienecsss passens Riseereeseeseseeees pieeeeegpeteeteeeeeeeareee tenses eeageneeecnags eevee 4 F) 8 A a —— . “ee 200 Pos — rel fe a= ra] x = iP =< re) Dy dim =———piu pp = —_a— pp Beene ete ceciseeicrerre cierto BP CREE OY BE SOCORCO CLEC REET EC CRO CODODOCRODOIOG | HCBHEC neSprOog Hanicmdccogr A 8 { i y NN -fb+ as u xl rey ae iy i? b = = aa 219 F— fa — oe sempre gop f Vv v fy) a — Becerreeesseeceeeeeees Rete ce nee eerneeeaeeeeneer ses penance u Bg 2 —_—- #,.| 2 LS 2 z 0 og z I wo fe = nis : Hes Ghee y= 2 pp cresc. = —= crese. — ve 9 a™ ==> ) = . - — a senza sord. Tempo I 4 2 22: gz 2 2 2 f - 2 vi ei wt = + aa 4 = ‘a ‘4 5 “ p dolce = dim 1 — “a ~ — — ~, n — —_ 2 £ a = =e fF z £ 244 : t —a E z oH t y ANS 4 T oe — mf crese. —===_ _ ff ——~ ——~ iis — v y \ —~ g- . 64 £. aS ee =a e 280° j 2 | a= om & a= yi Sf = i N —— Pp n : ~ a = nf > 5 > 9 # # 2 256 = ee ee er Soe = — Z 2 5 == RAS74 T t T e uy 7 of S eresc. J——— ££ 6 Violine I | Viol. y 74 < i = — ao uf PG tHe TEE Obs ot oe ). I t t i i) St. Johann-Stroiyschneflen ane ° 3" o. 4 ye e2 om ¢ —____ —<—_=__ —_—_=___ i —=_ UI ee ee oe Violine I 7 Ss eco tee sesege gegege weseus rcurirs sub. pp Pp Oe ie V Gs lee. F_useetere , fe sa0 SS Se a ae Be SIGE sg TEST VI ZS ESy se wre et, ee sub. cresc. molto Hs — _ motaxe Moldau in ihrer ganzen Breite_ _ a £\ = 2. a> : a ae ee Pity Fees Pht FE eset fas ee atten FPS Pete tes. 383 y ¥ Tt T t yi + + y ASA If a _— a = =f = = > he ff tteees, ae cee ce # ft, 845 +1 Z 7- iE a ¥ ANY a zy: =e + +t eo =< fs —— hs == crese. —= fs crese. ySehrad - Motiy (Aus der I. symph. Dichtung) . rary uyEzge Oe Gf maid pinot tases EPO APO [EE (OES cee (tea (at 356 fey au ez ei t to} ; ar os DO) = oa oN Dut, . (f) “te F es te ee Ts? "nag on n fad py ee — == ae ee = ° v a sees af Py a T P . ad fo. 3, Vv ‘ = === ee ¥ ee ar 2 A” id ToS o [A] 2 29 5 £ Et. 2 ; ' $ =F va ¥ | = aS e) ° ——— id OP ts, £# ie po 4 ee ee ee e —— a hee — +——¢ tt a oe 1 , 1 1 PY fa: & .£2 0 sae ¥ -j— +ie- yams t cca : 50 4 3. [B]n ~ me Vv t i 7K + @_@@ @@ @ a, @@ @ = ar f feo tee Z Z Fs cae 728 2 + Bc te © f Sf Ff SF Pp 00 eo oe n / 4 . eves Sree: ee eey ere —+ + t —t T a ed fe Yo wt wf 1 ear Sees Se ee La? a= et —— a =o 4 rt wr i ee yue ys a . . e.- 4 ° = = i a 2 Yas = t i (Se eee v —— te ¢ = s ‘oT ‘ eS rEe t+ = == Ye-0-e-e = oe me :: = ry ra hd : VIOLIN I Haydn — Symphony No. 45 TTT iW ! «dd _ ft faooal its c iy e ihr iY Ky l : | ms Te : r a i ite tt rr ae > N ree} Sct Bo HT | oe! ttc e tii. jxpst e) ce H Te c 9 | ie it fe) S ) oe mo ro [| Za . e tt i » rt t it el ck SS ; \s +F 9 it t “¢ f we 2 a oe ye fie, Cia KT —_ 7 at é t Se Lsips. 2 a a HA | ———s F oS 4 } t ¢e@ vf 1a (3 att +e ws E 71 ra) tras a a? amt eS : “ Ld | == 2 = = rm bul wf Y “Tk St) RRs Ih) * 8 Ht =| rs 4 of Sf w | NY 4 V wf t me a y t +3 t f@ 0 @ 7 3 {FF hems i 1 SS am ‘ ¢ 4 =a2 Pp te =e yt f é ¢ 1 T zg Peta ; vA SS ig 04 f 4 - Cy ptt — Pumas! oo 4 108, U ry ty Pp Ag HO! — yy e 7 ¢ Pp 4123 # rai a ae 134 = vw, Oh IF at Rye T ay ry) THE 4 63 at yr Se aU AI3 PP m CO) 184 h-# tt Ta oe 188 vy ri ry 198 2 # Lita @ TT Haydn — Symphony No. 45 VIOLIN 1 Adagio. | © dy r j icon sordini | —. ( 3S ea ee “ee oF eames ——— a | % =f 7S K os. y a: sate eer poe eet erie 5 7 See) a, 3 ee ae al 2 ea 4, 4 + 2 As a 10 Pod ot w= = TPT men a ees Soe , Te ‘ - # | te, P ote» ep ee RE wa a - Baie ter tor—F Tey tet — Fey tor 35 ——~. 3 = 3 fe te eo t Poa Se - . Pr az te tP+t+—H Pj te ee : = 4 y le im t te 0D) Lame tearnasusoed Wr FOL 4 3 med 3 3 2 - 4 jf ee =n i i en a Fos el ++ = at & tt poe te t - sn a y Reschennal se . . : —H-#8 < 4 |S a i + tT “ tt { = . t f t -I-t Ht Tt ee >I Lat oy i! rt T T ; — — i z z i 1 — Ser eS | Sasa eo ~ ~ = ~ : 1 — ~_ >. ~~ A _Y 4 y —_ on ats? : = = E 2 : a Pet Hr @ + x ys LH] — ; . Pte a ? kid —— a os t eH —— : Se ee Sie ee et ees ease y 4 a 109 mei ie 9 ee 5p oT a —Tee + — § $ f= — {— Sarda a) Gal Fe ent ae nen Came l= : e a=) + a t ———— t t 110 a na: . 2 nN V \ ee = Ee poaiete waite! i we I 1 —FS T_T T tT tT { t ie oi £ [led — Teed tt ~ S = wp 120 ye te E v V 1) Vv a = t-t Beams an 3 T tT tT te! A ee See apes gery VN 7B Pp T T f—egta* Minuet da capo 20 am: —# rae } a aa = t—e N 2 oe as zi t t ou SS 4 42 tH a 183 Z bid Yas i LY ev Cy) 10 Cy) at 7, a = Minuet Allegretto om P 4 cee iA @e— [22 t ¢ 3 a? { e ( QU = T ote# HP te t 3 t 3 158 129 iaaatd I ris 1 es aes —— t re t Kk EES OE ee iB f (eaxokoeaed o L am 2 Tere T = : SE. ra | caret RET eo LA J _ = vans o 2) zo tT VIOLIN I Haydn — Symphony No. 45 Haydn — Symphony No. 45 i VIOLIN I et - VV t z T_T Riccndhioacll pat eee E -_ =a “as es swt Pye D) Vv v oo ——o os ae T T =a Pag ¢ ise ME 57 j St Vv. 1 VV 1 yv T eae — —T Pee tha = yo it Pee he othe IN) pp + TT + »3 an if Pots if. f.2, Pee — Fee pre cote tet tet Herter —tenteneheeed - cae os i EZ me } 40 ‘ () , ae 7H : t poeewepes Ps = $e eet ae, FH =e ae ry e ¢ Vv 46 4,0 fl a S33 owen tT to eacaaTs 11 T Sninsceares | a a uJ Vaal Vo Cod ‘alee ee I 52 oe = pera were seve iaaciosenione paidaentaoser=sritrar = Eeiee Efasaipaete Oy T TT ? ry - 3 3 61 0, A : 3 03 ; ef ft s 2 ae a je tH ial eeugecee — . T+ Oy) Ye "De he "fe ey ms 69 . 4 . ae Phas ee eieeaatan a2 tleeestae 2 rr geaeeee a {t ae i" 11 Tt t eo ‘personal a Pp “heel t St P — 16 . . 2 _~@ ” : t t he ee e Pree eH aire T t t—e t—oF T | 1 Oeat f @ 5 84 . . Qe Ny a2 a fi 2 4 + 4 ryt ——! pp eye peed tat i == a + eo T T SD * e? 92 ~2 [P] . ee t tt io H 7 r =i oe Pirie st ; ev Haydn — Symphony No. 45 VIOLIN I tu 101 Vv F ; i | :=>= P zy M Pits = i oes J eee NE eh ag — Fe : P ° f t 110 : \ ee 44 fF +t a] = ++ =|} = t ft e ors 3 as Lgtey fe e T on eee 118 Ps 2p 8 Leas “—— e in » DB 166 Qa fe a 2 a t= tt +—F Ft fore tt Poe rs —et a 1 { t y 4 t | Le —— F + “4 or aR = t iu p- i i=s== et 9+ 0Ff 9 465 ——_ [Ff f at t z i=s== t— a> Lote <—. 2. oi nN ov f t t ate f oe + T =, ets TF ee lg J ae y v } ag epee pass we *) si parte: exit (a few at a time) Haydn — Symphony No. 45 8 VIOLIN I 28 si parte ¥5) — —~ p _@ tt ceset a ane 4 is! : te a t r a va oa Gis HE ZL LZ ae a va ¥ L F i Sawada ianeten q eo a AA Neale rm 51449... an a [T]}\ due rrolin ; eV 2 2 ; a je ay r sas eechestrace She arr 102 Q t Same @ 1 een 2 > ae . ; Osi parte ty : pe ee Ret eiftet ee serine eine |